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MARIE ANTOINETTE 
MEZZOTINT BY HAIG AFTER MILLIEZ 


[NUMBER 236] 


THE 


FREDERIC R. HALSEY 
COLLECTION OF PRINTS 


PART VIII 


NAPOLEON 


AND 


FRENCH REVOLUTION 


TO BE SOLD 


THURSDAY AND FRIDAY EVENINGS 
MARCH 29 AND 30, 1917 


at $:15 o’cLock 


On Public Exhibition from March 21st 


THE ANDERSON GALLERIES 


Mapison AVENUE AT FORTIETH STREET 
NEW YORK 


CONDITIONS OF SALE 


1. All bids to be PER Lor as numbered in the Catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to 
the good faith of all claims and his decision shall be final. He also 
reserves the right to reject any fractional or nominal bid which in his 
judgment may delay or injuriously affect the sale. 

3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be resold immediately. 

4, The lots to be taken away at the buyer’s expense and risk within - 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in default 
of which The Anderson Galleries, Incorporated, will not be responsible 
if the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
left at the sole risk of the purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 


6. All lots will be exposed for public exhibition in The Anderson 
Galleries before the date of sale, for examination by intending pur- 
chasers, and The Anderson Galleries, Incorporated, will not be responsible 
for the correctness of the description, authenticity, genuineness, or for 
any defect or fault in or concerning any lot, and makes no warranty 
whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. But 
upon receiving before the date of sale, expert opinion in writing that 
any lot is not as represented, The Anderson Galleries, Incorporated, will 
use every effort to furnish proof to the contrary, and in default of such 
proof the lot will be sold subject to the declaration of the aforesaid 
expert, he being liable to the owner or owners thereof for damage or 
injury occasioned by such declaration. 

7. TeRMS CasH. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such lots 
as remain uncleared after twenty-four hours from the conclusion of the 
sale, will be resold by either private or public sale at such time as The 
Anderson Galleries, Incorporated, shall determine, without further notice, 
and if any deficiency arises from such re-sale it shall be made good by the 
defaulter at this sale together with all the expenses incurred thereby. 
This condition shall be without prejudice to the right of The Anderson 
Galleries, Incorporated, to enforce the contract with the buyer, without 
such re-sale. 

8. Bips. We make no charge for executing orders for our customers 
and use all bids competitively, buying at the lowest price permitted by 
other bids. 

9. The Anderson Galleries, Incorporated, will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers and 
packers. 

Prints on Exhibition from March 21st. 


Priced Copy of this Catalogue may be secured for $1.00 


The Anderson Galleries 


Incorporated. 


Mapison AVENUE AT FORTIETH STREET, NEw YORK. 
TELEPHONE, Murray HIuu, 7680 


SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN, 


PREFACE. 


This is a catalogue of the eighth division of the remarkable 
Print Collection made during many years by Mr. Frederic 
R. Halsey, the sale of which has already brought to the owner 
larger returns than have been realized from the sale of any 
other print collection in America. 


This division consists of engraved portraits of the leaders 
of the French Revolution and of Napoleon and the distin- 
guished men and women who were his contemporaries. It is 
one of the most interesting collections ever shown in New 
York. Many eminent engravers are represented here, and 
they have reproduced the work of some of the most famous 
portrait painters of the XVIIth and XVIIIth Centuries. 


The forty portraits of Louis XVI illustrate his career from 
his youth to his trial, condemnation, and execution, and among 
them are many rarities. At the age of 16 he had married 
Marie Antoinette and her fate was as tragic as his own. Of 
the forty-five portraits of the famous daughter of Maria 
Theresa the stipple by Curtis after a painting by Dufroe, 
the mezzotint by Brookshow after his own painting, and the 
mezzotint by Haid after the portrait by Milliez are of the 
highest celebrity. The collection contains many portraits of 
the contemporaries of Louis and particularly of the ladies 
of the court and the soldiers and statesmen of his time. 
There are also important engravings of Louis XVII and 
Louis XVIII. Nearly all the leaders in the reign of blood 
that followed the popular uprising against the inherited evils 
of the reign of Louis XVI are portrayed here, including 
Calonne, Necker, Beaumarchais, Mirabeau, Marat, Barere, 
and Couthon. Among the nine portraits of Charlotte Corday 


is the wonderful stipple by Tassaert after the drawing by 
Hauer, which is the rarest and best of her portraits. The 
drawing was made when Charlotte Corday was on trial before 
the Tribunal. 


Mr. Halsey gathered no less than seventy-eight fine por- 
traits of Napoleon, and most of them are of the highest inter- 
est to collectors. Of the mezzotints the most celebrated are 
those by John Raphael Smith after Appiani, Schott after 
David, and Charles Turner after Masquerier, which is a beau- 
tiful impression printed in colors. The aquatint by Ebner 
after Guerin is of great rarity. Three stipple and line- 
engravings rarely found in any collection are Tassaert’s and 
Cazenave’s after a drawing by Naudet, Chataigner’s engrav- 
ing after his own design, and the magnificent ‘‘Rentrée de 
Napoleon le Grand’’ by Mariage. The stipple by Cardon 
after a drawing by Boze is of great celebrity, but of even 
higher importance to the collector is the original drawing 
from which this splendid engraving was made. The portraits 
of Empress Josephine and Empress Marie Louise are ex- 
tremely interesting, particularly the mezzotint of the former 
published by Fairburn—a very fine and brilliant impression. 


A glance through the catalogue will show that few great 
soldiers, statesmen, and rulers of Revolutionary and Napo- 
leonic times had been overlooked when Mr. Halsey finished 
this division of his great collection, and an examination of | 
the prints themselves will show the intelligent and careful 
discrimination with which he collected them. 


This catalogue was prepared by Mr. Ferdinand Meder and 
Mr. Maurice Sloog. 


THE 
FREDERIC R. HALSEY 
COLLECTION OF PRINTS 

PART VIII 


NAPOLEON AND FRENCH REVOLUTION 


FIRST SESSION 
Thursday Evening, March 29, 1917, at 8:15 o’clock 
LOTS 1-265 


NOTE—The titles of the Prints and the places and dates of 
publication have been quoted in this Catalogue with exactness, 
and the errors in spelling and punctuation have been reproduced 
to facilitate collectors in making comparisons. 


AGASSE (Isidore). 


One of the brothers Agasse who were condemned to be hanged Feb- 
ruary 8, 1790, having manufactured some effects for the King. 


1 AGASSE. 
Stipple by Phelippeaux after a painting by Bauzil. 
cat Bust in oval. Fine impression with the inscription, 


Yo printed in colors and touched up with the brush. With 
margin but lacking the plate-mark. 4to. 


ALEXANDRE I (Paulowitch). 
1777-1825. 
Emperor of Russia, fought against Napoleon and signed in 1807 
the treaty of Tilsit. 
2 ALEXANDRE I. 
Stipple by Bourgeois de la Richardiére after a drawing 
at by Auguste Desnoyers. Half length. Superb impres- 
| a sion with the inscription, printed in colors, touched up 
with the brush. With margin showing the plate-mark. 


ty f- h, Folio. 


3 ALEXANDRE I. 


aa 


oo 


Stipple by Louis Rados after a drawing by F. B. Bosio. 
Full length standing. Fine impression, with margin 
lacking the plate-mark and the publication line. Large 
folio. 


4 ALEXANDRE I. 


Le 
| 


Mezzotint by James Walker after a painting by I. 
Atkinson. Smith No. 14. Full length standing. First 
state, unknown to Smith. Very fine open letter proof. 
With large margin. Large folio. 


From the Martin collection. 


ANGLESEY (Henry William Paget, Marquis of). 


1768-1854. ‘ 


Commanded the cavalry and the horse artillery at the 
battle of Waterloo. 


5 ANGLESEY. 


fees 


44? 


Aquatint by R. Cooper and J. Sutherland after Henry 
Alken. On horseback. Superb impression printed in 
colors and touched up with the brush. Impression with 
the inscription. The margin trimmed to the engraved 
surface at the top and sides, at the bottom inside the 
plate-mark. Laid down on cardboard. Folio. 


ANGOULEME (Louis Antoine de Bourbon, Duc d’). 


1775-1844. 


General of the royal armies under Louis XVIII; became Dauphin of 


France at the death of Charles X. Was forced to exile himself. 


6 ANGOULEME. 


erate 


4H, 


Mezzotint by Charles Turner after a painting by Huet 
Villiers. Whitman No. 16. Bust. Superb impression 
with the inscription; with margin showing the plate- 
mark. Small folio. 


6 


AUGEREAU (Pierre Francois Charles). 
1757-1816. 


Celebrated French general; was in most of the campaigns of Napoleon. 
Disgraced by the Emperor at his return from Elba, he retired to his 
country place, where he died. 


7 LE GENERAL AUGEREAU OU PONT D’ARCOLE. 
67 Stipple by Louis Ruotte after a drawing by Pointe. 
ites 13. Full length standing. Very fine impression with the 
4. inscription, but lacking the plate-mark. Folio. 


BAILLY (Jean Sylvain). 


1730-1793. 
Mayor of Paris in 1789; was accused of having ordered the shooting at 
the Champ de Mars in 1791. Condemned by the Revoluntionary Tribunal 
to be beheaded. 


8 BAILLY. 
Stipple and line-engraving by P. Beljambe after a 
te painting by C. Monnet. Bust in an emblematic border. 
y; Superb impression with the inscription, but before the 
Ae 4 * publisher’s address; printed in colors. With large 
margin. 


BARBIER-WALBONNE (Jacques Luc). 
1769-1860. 


Celebrated French historical and portrait painter. 
He was a pupil of David. 


9 BARBIER. 
ee Aquatint by Aubertin after J. B. Isabey. Bust. Superb 
2 impression with the inscription. With large margin. 


O- t Small. folio. 


BARERE DE VIEUZAC (Bertrand). 
1755-1841. 
Deputy of the department of Hautes Pyrenées in 1789. Was one of 


the members of the Convention who asked for the head of Marie 
Antoinette. 


10 BARERE A LA TRIBUNE. 
Etching and aquatint by Vivant Denon after a drawing 
(—- by J. B. Isabey. Three-quarter length. Very fine proof 
: before all letters with small margin lacking the plate- 
puke mark at the sides, but trimmed closely to it at the top 
and bottom. Folio. 
7 


BARRAS (Paul Francois Jean Nicolas, Vicomte de). 
1755-1829. 
Member of the Directoire. Obtained for Napoleon the command of the 


army of Italy. Was disgraced after the coup d’état of the 18 
Brumaire. 


11 BARRAS. 
Line-engraving by Alexandre Tardieu after Hilaire 
7— Le Dru. Full length standing. Very fine impression 
' AH gL with the inscription. With margin trimmed to the 
vi plate-mark. Folio. . 


BAVIERE (Auguste Amelie de). 


Daughter of Maximilian Joseph I, Elector of Bavaria, and wife 
of Eugene de Beauharnais. 


12 BAVIERE, AMELIA. 
£0 Line-engraving by Paolo Caronni after a drawing by 
Lia Antonio Locatelli. Half length. Very fine false proof 
f printed with a mask in imitation of a proof before 
fe 7° letters. With margin showing the plate-mark at the 
top and sides, at the bottom it is trimmed Brak to it. 
Folio. 


13 BAVIERE, AMELIA. 
Stipple by Antonio Conte after a drawing by Nicolas 
V one Henrie Jacob. Full length, standing. Very fine im- 
pression with the inscription. With small margin lack- 
pw ing the plate-mark and the publication line. Folded 
and pressed out. Large folio. 


BEAUHARNAIS (Eugéne de, Duc de Leuchtenberg, 
Prince d’Eichstadt, Viceroi d’Italie). 
1781-1824. 
Adopted son of Napoleon. Fought against the Austrians. Retired to 
Munich at the fall of the empire. 
14 BEAUHARNAIS. 
_ Aquatint by Charon after Aubry. Full length, in 
attack. Fine impression with the inscription, partly 
4 b 4 ie _. printed in colors and finished with the brush. With 
pits margin lacking the plate-mark. Laid down. Folio. 


15 BEAUHARNAIS. 
ie Original drawing by Auguste Sandoz. On horseback. 
[6 Also the engraving by Outhwaite for Thiers’ ‘‘ Histoire 
gh de l’Empire.’’ 4to. (2) 
' 8 


16 BEAUHARNAIS. 


_ Line-engraving by Paul Caronni. Bust in border. 
a Fine impression with the inscription and with large 
Ih > margin. Also a proof with the engraver’s name only in 

; traced letters and with his dry stamp. (2) 


17 BEAUHARNAIS. 
hice Stipple by Louis Rados after Nicolas Henrie Jacob. 
Full length. Very fine impression with the inscription. 
With margin showing the plate-miark at top and sides, 
but it is lacking at the bottom. Large folio. 


18 BEAUHARNAIS. 
_— Stipple by Louis Rados after the drawing by F. B. 
2 Bosio. Full length standing. Very fine impression 
with the inscription. With margin showing the plate- 
mark. Large folio. 


19 BEAUHARNAIS. 
Stipple by L. C. Ruotte after the drawing by Gregorius 
sv — from the bust by Chinard. Half length. Superb im- 
pression with the inscription, printed in two tints and 
3 finished with the brush. With margin showing the 
24 a - plate-mark. Folio. 


BEAUMARCHAIS (Pierre Augustin Caron de). 
| 1732-1799. 
French publisher, printer and author of ‘‘Le Mariage de Figaro,’’ 
‘Le Barbier de Séville,’’ etc. He obtained the contract to furnish am- 


munitions to America and made the first shipment to the new Republic 
in 1776. 


20 BEAUMARCHAIS. 


Etching finished with the graver by Tarare. Bust in 
/O~ clouds. Very fine proof with the engraver’s name only 
/ tal] in etching. With full margin (deckel-edges). 


BENNIGSEN (Auguste Theophile Levin, Comte de). 
1743-1826. 


Russian general, fought against Napoleon and was one of the important 
generals at the Battle of Leipzic in 1813. 


21 BENNIGSEN. 
Stipple by Wright after a painting by G. Dawe. Halt 


a length. Very fine open letter proof. With margin 
showing the plate-mark. Folio. : 


At? 


3 
4, 


BERNADOTTE (Jean Baptiste Jules). 
1764-1844. 

Famous general under Napoleon. Made King of Sweden and Norway 
in 1810 under the name of Charles Jean XIV. Fought against Napoleon 
at Leipzig. 

EUGENE BERNARDINE DESIREE CLARY. 
1781-1860. 
Wife of Bernadotte. 


22 BERNADOTTE. 


Mezzotint by W. Dickinson after a painting by F. 
Gérard. Bust in border. Very fine and brilliant im- 


Pa 
Ff V3, pression with the inscription. With margin showing 


the plate-mark. Folio. 


23 BERNADOTTE AND DESIREE CLARY. 
Stipple by Choubard after a drawing by Lafond junior. 


sion with the inscription. With margin showing the 


2 4 93 Busts in oval with rectangular border. Fine impres- 


plate-mark. Folio. 


BERRY (Marie Caroline Ferdinande Louise de 
Bourbon, Duchesse de). 


1798-1870. 
Daughter of Ferdinand I, King of Naples and the Two Sicilies. 


Married to the Duke of Berry, second son of Charles X; was shame- 
fully disgraced by Louis Philippe. 


24 BERRY. 
Line-engraving by Paul Audouin after a painting by 


L a H. Hesse. Bust in oval with rectangular border. Bril- 
y lar liant impression with the inscription on the tablet in 


open letters. With large margin. Folio. 


ARRIVEE DE SON ALTESSE LE DUC DE 
BORDEAUX. 


Original lithograph by J. Isabey. Impression with the 
inscription. With large margin. Folio. (2) 


10 


BERTHIER (Alexandre, Prince de Neufchatel and de 
Wagram, duc de Valengin). 
1753-1815. 
Officer on the staff of Rochambeau and Lafayette when they came to 


America. Marshal of France under Napoleon. Committed suicide in 
Bamberg. 


20 BERTHIER. 


yee Stipple by A. Hubert Lefévre after a drawing by Payou 

fils. Full length standing. Impression with the in- 

fl_ scription. With margin lacking the plate-mark. The 
inscription margin repaired. Large folio. 


26 BERTHIER. 


_— Stipple by Prot after a painting by Berlier. Full 
2- length standing. Impression with the inscription. 
With margin lacking the plate-mark. The lower left 

corner torn and repaired. Large folio. 


27 BERTHIER. 


Mezzotint by Coqueret and Lachaussée after Mle- Boze. 
yt oe Full length standing. Impression with the inscription. 
With margin lacking the plate-mark. Folio. 


28 BERTHIER. 


Mezzotint by Coqueret after Mle- Ursule Boze. Oval 

_— bust in rectangular border. Proof with the artists’ 

2 names only, traced with the needle. With margin 
lacking the plate-mark. Folded and pressed out. 


BERTRAND (Henri Gratien, Comte). 
1773-1844. 


Marshal of France and companion of Napoleon in exile at 
Saint Helena. 


29 BERTRAND. 


Stipple by Mécou after Bordes. Oval bust. Superb 

el proof on India paper, before the ornamental border, 

yy but with the artists’ names and the publication-line 
At > only. With large margin. 4to. 


30 BERTRAND. 


Aquatint by Genty. On horseback. Good impression 
,, -@ With the inscription. With small margin lacking the 
os plate-mark. 4to. 


4 th 11 


BESSIERES (Jean Baptiste, Duc d'Istria). 
1766-1813. 
Marshal of Napoleon and was in the campaign in Egypt. He was killed 
on the eve of the battle of Lutzen. 
31 BESSIERES. 


fy — Aquatint by Charon after Martinet. Full length stand- 
4 ing. Very fine impression partly printed in colors 


4 - YD, and touched up with the brush. With large margin. 
SFr | Molo. 


BEURNONVILLE (Pierre de Riel, Marquis de). 
1752-1821. 
Celebrated French general, minister of war in 1793, and 
minister of state in 1814. 
32 BEURNONVILLE. 


a7 Stipple by C. Lasinio, oval bust. Good impression with 

. the inscription. With small margin showing the plate- 

RF. mark. Small 4to. With a collector’s mark (C. B. B.). 
Unknown to Fagan. Scarce. 


33 BEURNONVILLE. | 


Ls Stipple by F. Bonneville after the engraver’s own de- 
sign. Oval bust. Very fine impression with the inserip- 
A. f-. y _ tion printed in colors. With large margin. Small 4to. 


34 BEURNONVILLE. 
SV Mezzotint by Coqueret after a drawing by Hilaire le 


»- — -,/-Dru. Full length standing. Impression with the in- 
ea scription. With margin showing the plate-mark. Folio. 


BLUCHER (Gebhard Lebrecht von, Prince of Wahlstadt). 
1742-1819. . 


In command of the German army, he co-operated with Wellington 
at the battle of Waterloo. 


35 BLUCHER. 
ors Aquatint by R. Cooper and J. Sutherland after a 
L painting by Henry Alken. On horseback. Very fine 
impression with the inscription. With small margin 
yuh lacking the plate-mark. Small folio. Slightly creased. 


12 


36 BLUCHER. 
een Stipple by Henry Mayer after Maria Singleton. %4 
l length standing. Very fine proof with the inscription 


printed on India paper. With small margin showing 
the plate-mark. Folio. 


37 BLUCHER. 
Sai Stipple by F. Krethlow after a drawing by L. Wolf. 
A Oval bust with laurels and palms as border. Very fine 


open letter proof and before the inscription on the 
SrA tablet. With margin trimmed to the plate-mark. Folio. 


BOIGNE (Benoit Leborgne, Comte de). 
1751-1830. 


French general, served in India, retired in Chambery. His wife wrote 
the well-known ‘‘Memoires de la Comtesse de Boigne.’’ 


38 BOIGNE. 


a Stipple by Ambroise Tardieu. Oval bust in rectangular 
cS frame. Impression with the inscription. With margin 
f? showing the plate-mark. Small 4to. 


BACCIOCHI (Marie Ann Elisa Bonaparte; Princesse de 
Lucques et de Pombino; Comtesse de Campignano). 
1777-1820. 


Sister of Napoleon, married Felix Bacciochi, was styled ‘‘the Sémiramis 
de Lucques’’; she died in Germany. 


39 BACCIOCHI. 


Stipple by F. Ambrosi after a drawing by F. B. Bosio. 

ee. Full length standing. Very fine impression with the 
inscription. With margin showing the plate-mark at 
top and sides, trimmed closely to it at the bottom. 
Large folio. 


rh 


BONCHAMP (Charles Melchior Artus, Marquis de). 
1759-1793. 
One of the famous generals of the Vendée, was wounded 
and died after the battle of Chollet. 
40 BONCHAMP. 


Stipple by Mme. Marchand after her own drawing. 
ao Bust colored with the brush. Very fine impression with 
the inscription. With large margin. 8vo. 


pte 13 


BONNIERES (Alexandre Jules Benoit de). 
1750-1801. 
French lawyer and member of the conseil of the 500. 


41 BONNIERES. 
Line-engraving by L. F. Mariage after a painting by 
as J.B. C. Robin. Oval bust in rectangular frame. Very 
- fine impression with the inscription. With margin 
Le showing the plate-mark at the bottom, trimmed closely 
i to it at top and sides. Small folio. 


BORGHESE (Marie Pauline Bonaparte, Duchesse de 
Guastella, Princess). 
1780-1825. 


Sister of Napoleon, was married in 1801 to General Leclere and 
a second time to Prince Camille Borghése. 


42 BORGHESE. 
Original drawing by Auguste Sandoz. Full length 
145 - standing. Very fine drawing, Thiers, ‘‘Histoire du 
7 3 Consulat.’’ Also the engraving by Pannier. 8vo. (2) 


BOURGOIN (Marie Thérése Etienette). 
1785-1833. 
Celebrated French actress and a favorite of Napoleon. 


43 BOURGOIN. 

= Line-engraving by Bertonnier after a painting by 
Poe Sicardi. Head in a cloud. Very fine proof with the 
/ artists’ names and the vignette only. With large 
Cor margin. 4to. 


BRETEUIL (Louis Auguste le Tonnelier, Baron de). 
1733-1807. 
French diplomatist much employed by Louis XV and Louis XVI. His 
advice to the court not being accepted in 1789, he emigrated and died 
in Hamburg. 


44 BRETEUIL. 
Line-engraving by Chevillet after his own design. Oval 
ahs bust in rectangular border. Superb proof before all 
‘ letters. With margin showing the plate-mark at the 
wi #. bottom and the sides, but trimmed closely to it at the 
top. Folio. 
14 


BRUNE (Guillaume Marie Anne). 
1763-1815. 


French general under Napoleon. Ambassador of France to Con- 
stantinople. He was one of the followers of the Emperor on his return 
from Elba and was assassinated in Avignon. 


45 BRUNE. 


bs Mezzotint by C. H. Hodges after the engraver’s own 

70 painting. Oval bust in rectangular border. Maenifi- 

ee L# - cent impression with the inscription. With large margin. 
: Folio. 


46 BRUNE. 


so Stipple and line-engraving by J. J. F. Tassaert after 
/— a drawing by F. J. Harriet. On horseback. Very fine 
impression with the inscription. With margin, lacking 

the plate-mark. Folio. 


47 BRUNE. 


aa Another impresion of the same. Superb proof with the 
artists’ names and with the name of the personage in 

x¢+t’- open letters, but before any other inscriptions. With 
margin showing the plate-mark. Folio. 


CAGLIOSTRO (Alexandre Joseph Balsamo, Comte de). 
1743-1795- 


Celebrated Italian impostor who was implicated in the ‘‘ Diamond 
Necklace’’ affair. He died in prison in Rome. 


CAGLIOSTRO (Seraphinia Felichiani, Comtesse). 


A clever intrigante who was married to Cagliostro about 1773. 


48 COUNT AND COUNTESS OF CAGLIOSTRO. 


Mezzotints ascribed to J. F. Janinet after the engraver’s 
ee own design. Oval busts in rectangular borders. Very 
© fine impressions with the inscriptions colored with the 
brush. The first one with untrimmed margin (deckel 
“s F edges), the other with margin showing the plate-mark. 
Syos (2) ae 
15 


DE CALONNE (Charles Alexandre). 
1734-1802. 


Minister of Finance to Louis XVI; excessively prodigal, he was 
obliged to resign in 1787. He emigrated to England and returned to 
France in 1802. 


49 DE CALONNE. 


Mezzotint by De Brea after a painting by Mme. Vigée 

fot Le Brun. Three-quarter length, sitting at his desk. 

Very fine impression with the inscription. With margin 

We? showing the plate-mark at the top and sides, but it is 
missing at the bottom. Folio. 


500 DE CALONNE. 


Another impression of the same. Magnificent proof 
sig with the names of the artists and the personage traced 
with the needle. With margin showing the plate-mark 


J Lang at the top and bottom, trimmed closely to it at the sides. 
Folio. 


CAMBRONNE (Pierre Jacques Etienne, Baron de). 
1770-1842. 


French General of the armies of Napoleon. To him has been incor- 
rectly applied the famous saying when summoned to surrender at 
Waterloo. 


51 CAMBRONNE. 
a Aquatint by Charon after a drawing by Aubry. Full 
4 length standing. Good impression with the inscription, 
h, colored with the brush. With large margin. Not an 
ie v8 . early impression; repaired in the margin. Folio. 
/ 


CAROLINA AUGUSTA, Empress of Austria. 


Caroline Augusta of Bavaria married Francis II of Germany and was the 
mother of Marie Louise, the wife of Napoleon. 


52 CAROLINA AUGUSTA. 


b- Stipple by Luigi Rados after a drawing by J. Stieler. 
Bust. Very fine impression with the inscription. With 

Quod margin showing the plate-mark. Small tears in the 
margin not affecting the engraving. Elephant folio. 


16 


CARNOT (Lazare Nicolas Marguerite). 
1753-1823. 


One of the most popular generals of Napoleon; was nicknamed 
‘*Le pére la Victoire.’’ 


538 CARNOT. 
‘aa Line-engraving by Ht (sic) after a drawing by Camoir. 
Circular bust in rectangular border. Impression with 


£ os f the inscription, printed in colors. With margin show- 
d ing the plate-mark. Small 4to. 


CHARETTE DE LA CONTRIE (Francois Athanase). 
1765-1796. 
Famous Vendean general; was taken prisoner and executed in 1796. 


54 CHARETTE, 


Stipple by an unknown engraver. Oval bust in the 
ae uniform of French royal guard. Proof before all 
fe 4. letters but with the vignette. With margin trimmed 

to the plate-mark at the top and sides, but showing it 

at the bottom. Small folio. 


55 CHARETTE. 


Another impression of the same. Second state. The 

ita cockaded hat has been changed to a head cloth and the 
p left hand is in a sling. Proof before all letters, but 
{2 with the vignette. With margin trimmed to the plate- 
mark at the sides but showing it at the top and bottom. 


CHARLES LOUIS, Archduke of Austria. 
1771-1847. 


Commander-in-chief of the Austrian army; defeated Massena at 
Caldiero and Napoleon at Aspern and was defeated by Napoleon at 
Wagram. 


56 CHARLES LOUIS. 


Stipple and line-engraving by Velyn after a drawing 
7~ by Noireterre. Half length. Circle in rectangular 
border. Superb impression with the inscription, printed 


ocaal| in colors, slightly touched up with the brush. With 
margin showing the plate-mark. Small 4to. 


gig: 


57 CHARLES LOUIS. 


Stipple engraving by L. Schiavonetti after a painting 
vos by M. Kellerhoven. Full length standing. Very fine 
/ impression with the inscription. With margin show- 
Qude- ing the plate-mark at the bottom only. Laid down on 

drawing paper. Large folio. 


58 CHARLES LOUIS. 


Mezzotint by Valentine Green after a painting by P. J. 
Hae Loutherbourg. Whitman No. 139. Second state un- 
known to Whitman. The inscription has been changed 
to ‘‘ Armies in Italy’’ and ‘‘London, Published Jan. 1, 
2th . 1806, by James Daniell, 480, Strand.’’ Magnificent 
3 impression with the inscription, printed in colors, 
slightly touched up with brush. With margin showing 

the plate-mark. 


CHARLES LOUIS FREDERICK, Grand Duke de Bade. 
1728-1811. 


Married the adopted daughter of Napoleon, Stephanie de Beauharnais, 
and fought at his side until the battle of Leipzic. 


59 DUKE DE BADE. 
Line-engraving by F. Lignon after the engraver’s own 


ye design. Bust in rectangular border. Very fine proof 
before all letters on India paper, with large margin. 


4 2 (p, Small folio. 


CHARLES X OF FRANCE. 
1757-1836. 


Phillipe Comte d’Artois, fourth son of Louis, Dauphin of France and 
brother to Louis XVI. Succeeded his brother Louis XVIII as King of 
France. He abdicated in favor of the Duke of Bordeaux and died in 
England in 1836. 


60 CHARLES X. 


Aquatint by J. P. M. Jazet after the artist’s own de- 

4 — sign. Full length standing. Fine impression with the 
inscription. With margin lacking the plate-mark. 
Slightly rubbed. Large folio. 


18 


Tw!y 


? a 
47h. 


fbe 


/ 


61 CHARLES X. 
cag 


62 


[& 
b.F7/3 


Etching finished with the graver by Lebeau after Van- 
loo. Oval bust in ornamental rectangular border. 
Superb impression with the inscription; with large 
margin. 8vo. 


CHARLES X. 


Etching finished with the graver by Dupin fils after a 
painting by P. A. Hall. Oval, half length standing in 
ornamental rectangular border. Third state; part of 
the ornamentation on the right has been removed, and 
the dedication and publication-line have been added. 
With very large margin. Small 4to. 


63 CHARLES X. 
poe 


per 


Another impression of the same. Second state; with 
the ornamentation on the right of the border and before 
the dedication. Very fine impression with margin lack- 
ing the plate-mark. 


64 CHARLES xX. 


Etching finished with the graver by M. L. Adelaide 
Boizot after a drawing by L. S. Boizot. Circular bust 
in rectangular ornamented border. Superb impression 
with the inscription. With very large margin. Small 
4to. 


65 CHARLES xX. 


ae 


Stipple and line-engraving by A. Freschi after an 
original painting in the possession of Count Des Cart. 
Bust in rectangular border. Impression with the in- 
scription. With small margin lacking the plate-mark. 


CHAUVEAU LAGARDE (Claude Francois). 
1756-1841. 


French lawyer who defended Marie Antoinette of France 
and Charlotte Corday. 


66 LAGARDE. 


seo 


Lithograph by P. Sudré after a painting by Rouillard. 
3, length sitting at his desk. Very fine impression 
with the inscription, printed on India paper. With 
large margin. Folio. 


19 


CLARKE (Henri Jacques Guillaume, Duc de Feltre). 
1765-1818. 
French marshal and statesman. He was employed by the Directoire 


to watch Napoleon. He afterwards attached himself to the Emperor 
and became minister of war until 1814. 


67 CLARKE. 
Line-engraving by R. U. Massard after a painting by 
3 — Fabre. Full length standing in court costume. Im- 


pression with the inscription. With very large margin. 
Large folio. 


CLERY (Jean Baptiste Antoine Hanet dit). 
Valet to the king of France, Louis XVI. He emigrated 


and died in Austria. 
68 CLERY. 


oe Line-engraving by -P. Audinet after a painting by H. 
pe Danloux. Bust in oval. Very fine impression with the 
p We inscription. With very large margin. Small folio. 


COLBERT (Auguste-Francois-Marie, Baron de). 


1777-1809. 
French general; fought with Napoleon and was killed at Villafranca. 


69 COLBERT. 


Aquatint by J. P. M. Jazet after a painting by Gérard. 
IZ a Full length standing in uniform. Very fine proof with 


the artists’ names only. With margin lacking the plate- 
fart mark, Elephant folio. 


DUC DE BOURBON (Louis Henri Joseph, 
Prince de Condé). 
1756-1830. 
Father of the Duc d’Enghien; emigrated to Germany 
and committed suicide. 


70 DUC DE BOURBON. 


es Line-engraving. Bust in rectangular border. Very 
/ be fine and brilliant proof before all letters. With very 
P large margin. Small folio. 


71 DUC DE BOURBON. 


Stipple by Bartolozzi after a painting by Mme. de Tott. 

/ 50. Three-quarter length standing. Superb impression with 
the inscription. With margin showing the plate-mark. 
Folio. i. 


CORDAY D’ARMANS (Marie Anne Charlotte). 
1768-1793. 


French patriot who went to Paris to assassinate Marat. 
She was beheaded. 


72 CORDAY. 
pec Stipple by Mge ... [Mariage] after a painting by 
Le Lu. Bust in oval. Very fine impression with the 
pr inscription; with large margin. 4to. 


73 CORDAY. 


a eg Stipple by Massol after a drawing by Queverdo. Cir- 
cular, three-quarter length sitting in jail, below a view 

fe F. of the assassination of Marat; on rectangular ground. 
Very fine impression with the inscription, printed in 
bistre with very large margin (deckel edge). 


74 CORDAY. 
Stipple by Tassaert under the direction of Anselin 
JV — after a drawing by Hauer. Half length standing, in 
rectangular border. Superb proof with the blank 
tablet. With margin lacking the plate-mark. Small 


folio. 
THE RAREST AND THE BEST PORTRAIT OF CHARLOTTE CORDAY. 


75 ARRESTATION OF CHARLOTTE CORDAY AFTER 
ae THE MURDER OF MARAT. 


Etching by Vinkeles. Very fine proof before all letters. 
with margin lacking the plate-mark. 


76 THE DEATH OF JEAN PAUL MARAT. 
Stipple by N. Schiavonetti after a drawing by D. 


Pa . . . ° . . e . . e 
/ Pellegrini. Fine impression with the inscription; with 
Ve margin lacking the plate-mark. 
Curious engraving, as it shows Marat murdered on a sofa 


instead of in his bath tub. 


77 ASSASINAT DE MARAT. 


5¢V Photogravure after the painting by Jules Aviat. Im- 
J ee pression with the inscription, printed on India paper ; 
re . with margin. Elephant folio. 


78 CHARLOTTE CORDAY IN JAIL. 


ae Mezzotint by G. Maile after a painting by Mlle. Thomas. 
Se Impression with the inscription, the title in open letters. 
2 With large margin. Folio. 


21 


79 CHARLOTTE CORDAY AT THE WINDOW OF THE 
CONCIERGERIE. 
Etching finished with the graver by Charles Louis 
Sw» Muller after the painting by Alphonse Lamotte. Very 
: fine remarque proof on India paper, signed in pencil by 
both artists. With untrimmed margin. Folio. 


ee 


80 M. ANNE CHARLOTTE CORDAY ON THE GUILLO- 
TINE. 

yee Stipple by James Aliprandi after a painting by J. Beys. 

y, pe Impression with the inscription. With margin trimmed 

closely to the plate-mark. Folio. 


a 


CORVISART DESMARETS (Jean Nicolas). 
1755-1821. 
French surgeon who was the physician of Napoleon and Josephine. 


81 CORVISART. 
Line-engraving by M. Blot after a painting by Gérard. 
/4¢-~ Small folio. Bust in rectangular border. Very fine 
and brilliant impression with the inscription. With 
ve 7 /). margin showing the plate-mark. Two slight repairs in 
: the right margin. 


COUTHON (Georges Auguste). 
1755—1794- 


French lawyer, member of the Convention; was beheaded 
after the 9 Thermidor. 


82 COUTHON. 
Stipple by Verité after a painting by Ducreux. Oval 
Dee bust in rectangular border. Very fine impression with 
the inscription, printed in two tints and touched up 
Arundel with the brush. With small margin lacking the plate- 
mark. 8vo. 


DAVID (Jacques Louis). 
1748-1825. 
Celebrated French painter of the Court of Napoleon. 


83 DAVID. 
a Mezzotint by J. P. M. Jazet after a drawing by J. 
Odevaere. Full length standing. Very fine impression 
Mh, with the inscription. With margin showing the plate- 
A” PA" mark. Elephant folio. 
22 


DEMEUNIER (Jean Nicolas). 
1751-1814. 


French lawyer who came to America in 1789, returned to France, and 
was President of the Tribunal in 1805. 


84. DEMEUNIER. 
Stipple by Verité after the engraver’s own drawing. 


ee Oval bust in rectangular border. Very fine impression 
with the inscription, printed in colors. With margin 
/' showing the plate-mark at the top and sides, at the 


bottom it is lacking. 8vo. 


DENON (Dominique Vivant, Baron). 
1747-1825. 
Painter engraver; he followed Napoleon to Egypt as historiographer.. 


85 DENON. 
Etching by Vivant Denon after a drawing by J. B. 
2  Isabey. Bust. Very fine proof with the artists’ names: 
fe ft. only. With margin lacking the plate-mark. Small 
folio. 


DESAIX DE VEYGOUX (Louis Charles Antoine). 
1768-1800. 
French General who was killed at the battle of Marengo. 


86 DESAIX. 
Bom Stipple by Fiesinger after a drawing by J. Guerin. 
Bust in oval. Impression with the inscription. With 


4. Lp margin lacking the plate-mark. Small folio. 


DESSAULT (Pierre Jean). 
1744-1795- 
French surgeon of Paris who took care of the Dauphin Louis XVII. 


87 DESSAULT. 
50 Etching finished with the graver by L. J. Cathelin after 
oo a drawing by Ch. N. Cochin. Bust. Fine impression 
vA with the inscription. With small margin lacking the 
se .  plate-mark. 8vo. 


23 


DESPINOY (Hyacinthe Francois Joseph). 
1764-1848. 
French General who followed Bonaparte during the Italian war. 


88 DESPINOY. 
50 Aquatint by F. Agnelli after the engraver ’s own draw- 


cate ing. Bust in oval. Very fine impression with the in- 
A A scription and with large margin. Small folio. Very 
Yt * *  gearee. 


DIEUDONNE (Christophe). 
1757-1805. 
French lawyer and member of the Tribunal. 


89 DIEUDONNE. 

Engraving 1 in crayon manner by Mainal, after the en- 
; graver’s own drawing. Bust in oval. Very fine proof 
frbee but with the artist’s name only traced with the needle. 
With large margin (deckel edges). Folio. ; 


Sie 


BARRY (Jeanne Bécu, Comtesse du). 


1746-1793. 
The mistress of Louis XV after 1768; she was notorious for her 
prodigality and was guillotined at Paris. 


90 DU BARRY. 
Mezzotint by Thomas Watson after a painting by Fr. 
6£%~  Drouais. Smith No. 13—Goodwin No. 9. Oval bust 
in rectangular border. Superb proof before the name 
of the personage but with the artists’ names and the 
a. £/. publication line. With large margin. Also the same 
personage, full length standing. Line-engraving from 
the ‘‘Gentlemen’s Magazine.’’ (2) 


DUCHESNOIS (Catherine Josephine Rafin, 
Mademoiselle). 
1777-1835. 
French actress who played at the Theatre Francais 
during the Empire period. 

91 DUCHESNOIS. 
ae Stipple after a painting by Momal. Bust in oval. Very 
b fine and brilliant proof before all letters; with large 
4 Lf margin. Small folio. 
a, 24, 


DUGAZON (Louise Rosalie Lefevre, Madame). 
| 1755-1821. 
Well-known French actress celebrated for her beauty. 


92 DUGAZON. 


go Stipple engraving by Monsaldy after a miniature by 

; J. B. Isabey. Bust in oval. Superb impression with the 

¥. LA. inscription, printed in colors. With large margin. 
Small folio. 


DUROC (Gerard Christophe Michel, Duc de Frioul). 
1772-1813. 
French General; took part in all the battles of Napoleon 
and was killed at Reichenbach. 

93 DUROC. 

ee Line-engraving by Mme. Marechal. Circular bust in 

+ rectangular border. Impression with the inscription, 

4. 7 />. printed in colors. With large margin. 4to. 


ELIZABETH PHILIPPINE MARIE HELENE 
DE FRANCE. 
1764-1794. 
Sister of Louis XVI; she followed the royal family to the Temple 
and was beheaded the 10th of May. 


94 ELIZABETH. 


Tae Etching finished with the graver after a painting by 
Me. Guiard. Bust in oval. Very fine brilliant impres- 

%4 — gion-with the inscription, and with large margin. Small 
folio. 


95 ELIZABETH. 


/— Stipple by Cardon after the engraver’s own drawing. 
Bust in oval. Superb impression with the inscription 
7 Poti and with large margin. 8vo. 


96 ELIZABETH. 


_. Etching finished with the graver by Le Beau after a 

[2 drawing by Fontaine. Oval bust in rectangular orna- 

mented border. Superb impression with the inscrip- 

fs hewsty tion, before the number. With large margin. Small 
Ato. ; 


VERY SCARCE IN SUCH FINE CONDITION. 
25 


97 ELIZABETH. 
os Aquatint and etching. Bust in oval. Very fine impres- 
ops sion with the inscription. With small margin showing 
- the plate-mark. Folio. . 


98 THE PRINCESS ELIZABETH TAKEN FROM THE 
= CONCIERGERIE. 
/ : Stipple by N. Schiavonetti after a painting by D. 
fbr Pellegrini. Very fine impression with the inscription. 
With untrimmed margin (deckel edges). Folio. 


ENGHIEN (Louis Antoine Henry de Bourbon Condé, 
Duc d’). 


1772-1804. 


French officer who was shot in Vincennes by order of Napoleon. 


99 ENGHIEN. 


ha Mezzotint published by Esbard and Bulla. Circular 

bust in ornamented rectangular border with a view 

a ef f- of the execution. Very fine impression with the in- 

scription. With small margin showing the plate-mark. 
Slightly rubbed. Folio. 


100 ENGHIEN. 
Stipple by Augustin Legrand after a drawing by 
/2 —  Desrais. Bust with an ornamented border. Superb 
impression with the inscription, printed in colors and 
touched up with the brush. With large margin. Small 
folio. 


101 ENGHIEN. 


Line-engraving by Richomme after a drawing by 
4 co Bourdon. Oval bust in rectangular border. Very fine 
impression with the inscription, and with large margin. 


A. TP. ANOTHER PORTRAIT OF THE SAME. 


Stipple by A. Cardon after H. Villier. Oval bust sur- 
rounded by emblematic ornaments. Very fine open 
letter proof, with margin lacking the plate-mark. Both 
small folio. (2) 


26 


DEON DE BEAUMONT (Charles Genovefa Louisa 


104 


(Ur: 


105 


106 


Andrew Timothy, Chevalier). 
1728-1810. 


French diplomatist who became famous as a secret agent 
by the cleverness of his female disguises. 


D’EON. 


Mezzotint by Thomas Burke after a painting by 
Huquier. Smith No. 2. Oval bust in rectangular 
border. Very fine impression with the inscription. The 
margin trimmed to the engraved surface at the top and 
sides, at the bottom closely to the plate-mark. Small 
folio. 


D’EON. 
Mezzotint published by 8S. Hooper. Full length stand- 
ing, in the costume of Bellona. Impression with the 
inscription. With margin showing the plate-mark at 
the top and sides only. Folio. 


D’EON. 
Etching finished with the graver by J. B. Bradel after 
the engraver’s own drawing. Bust in framework. Very 
fine impression with the inscription. With margin 
showing the plate-mark. 


ANOTHER PORTRAIT OF THE SAME IN 
FEMALE COSTUME. 

By the same artist and in exactly the same manner 

and condition as the above. Both folios. (2) 


D’EON. 

Stipple by F. Howard after a painting by A. Kauff- 
mann. Bust in oval. Very fine impression with the 
inscription, printed in bistre. With margin but lack- 
ing the plate-mark. Folded and pressed out. Folio. 


D’EON. 
Stipple by Th. Chambers after a drawing by R. Cosway. 
Bust, rectangular. Superb proof before the inscription 
but with the artists’ names and the publication-line in 
traced letters. With large margin. 


ANOTHER PORTRAIT OF THE SAME. 
Line-engraving and stipple by J. Conde after the en- 
graver’s own drawing. Bust in oval. Impression with 
the inscription. With small margin lacking the plate- 
mark. Inlaid. Both 8vo. (2) 


27 


107 D’EON. 
Etching finished with the graver by C. F. Letellier_ 
hb - after a drawing by M. Baader. Oval bust in rectangu- 
lar border. Very fine impression with the inscription, 
ph ‘ but before the number. With large margin. 


ANOTHER PORTRAIT OF THE SAME. 
Etching finished with the graver published by Esnaults 
et Rapilly. Oval bust in rectangular border. Very fine 
and brilliant impression with the inscription. With 
large margin. Both 8vo. 


SAXE COBOURG SAALFELD (Ernest Frederic 
Prince de). 
1724-1800. 
German general who fought against the French republic. 


108 SAXE COBOURG. 
50 Stipple by James Gillray after a painting by P. J. De 
eee Loutherbourg. Oval bust in rectangular border. Very 
fine impression with the inscription. With margin 
Juede/— trimmed to the plate-mark. Folio. 


FAUCHET (Abbé Claude). 
1744-1793. 
French priest who assisted in taking of Bastille and was beheaded. 


109 FAUCHET. | 
Etching finished with the graver by Marie Anne Crosier 
os after engraver’s own drawing. Oval bust in rectangu- 
/ lar ornamented border. Very fine proof before all 
f° fee letters. With small margin showing the plate-mark at 
the top and bottom, trimmed closely to it at the sides. 
Small 4to. 


FERINO (Pierre Marie Barthelemy). 
1747-1816. | 
French General and Governor of Antwerp. 
110 FERINO. 
Stipple by Elizabeth Herhan after a drawing by J. 
Pook Guerin. Bust in oval. Very fine impression with the 
plt inscription. With margin showing the plate-mark. Folio. 
. 28 


FOY (Maximillian Sebastien). 
1775-1825. 
General and lawyer, who fought under Napoleon at Waterloo. 


LED AB OY: 
Line-engraving by A. Lefevre after a painting by H. 
Ye as Vernet. Oval bust in rectangular border. Very fine 
y impression with the inscription in open letters, printed 
f. F- - on India paper. With very large margin. Folio. 


ANOTHER IMPRESSION OF THE SAME. 

Very fine and brilliant proof with the vignette and with 
the artists’ names in traced letters only. Printed on 
India paper; with very large margin. Folio. (2) 


FRANCOIS D’AUTRICHE. 
1768-1835. 
Emperor of Germany, who after the second coalition against France 
became Emperor of Austria. 


112 FRANCOIS I. 
Stipple by F. V. Durmer after a painting by John 
otf — Ziterer. Bust in oval. Very fine and brilliant impres- 
S Z/3 sion with the inscription, printed in colors, slightly 
Fao touched up with the brush. With margin showing the 
plate-mark. Small folio. 


113. FRANCOIS I. 


Stipple by J. Godby after a painting by A. Zabuernix. 

os Cd Three-quarter length standing. Very fine and brilliant 
impression with the inscription. With margin showing 
the plate-mark. Small folio. 


FREDERIQUE SOPHIE WILHELMINE, 
Princesse de Prusse. 


Daughter of Frederick William II. She married in 1769 William V. of 
Orange and retired to England after the conquest of Holland by 
Napoleon. 


114 FREDERIQUE DE PRUSSE. 
Etching finished with the graver by D. Chodowiecki 
iG — after the engraver’s own drawing. Oval bust in rect- 
angular ornamental border. Very fine and brilliant 
4 : £ fA. impression with the inscription. With large margin. 

Folio. 

115 FREDERIQUE DE PRUSSE. 

Etching finished with the graver by R. Vinkeles after 


‘Fie a drawing by J. P. C. Haag. On horseback. Very fine 
impression with the inscription. With large margin. 


frdvr Folio. “ 


FREDERIC AUGUSTE, Roi de Saxe. 
1750-2? 


Fought against France during the Revolution and the Empire, but after 
the battle of Jena he became one of the allies of Napoleon. 


116 FREDERIC DE SAXE. 
tS ie Stipple by J. Tassaert after Marechal. Bust. Very 
5 fine impression with the inscription, printed in two 
Krieblyy tints. With margin showing the plate-mark. Small 4to. 
/ 


FRIEDRICH IOSIAS HERZOG ZU SACHSEN 
COBURG. 
1753-1815. 

Austrian General who fought against Dumouriez and Moreau. 


117 FRIEDRICH IOSIAS ZU SACHSEN COBURG. 
Line-engraving and crayon manner by F. W. Nettling 
fe a after the engraver’s own drawing. Oval bust in rect- 
angular ornamental border. Very fine impression with 
Mredvre the inscription, printed in bistre. With small margin 
lacking the plate-mark. Small folio. 


FRIEDRICH WILHELM III VON PREUSSEN. 
1770-1840. 


King of Prussia. Succeeded his father in 1797. Signed the treaty of 
of Tilsit and was victorious against Napoleon at Leipzic. 


118 FRIEDRICH WILHELM III; when Crown Prince. 
af eee Line-engraving by Lignon after a painting by Steuben. 
Bust in rectangular border. Very fine impression with 
Wed the inscription. With large margin. Folio. 


119 FRIEDRICH WILHELM III. 
Line-engraving by F. Forster after a painting by F. 
ines Gérard. Oval bust in rectangular ornamental border. 
Very fine and brilliant impression with the inscription. 


edie With very large margin. Folio. 


ANOTHER PORTRAIT OF THE SAME. 
Stipple by Fr. Bolt after the engraver’s own drawing. 
Bust in oval. Very fine and brilliant impression with 
the inscription. With margin showing the plate-mark. 
Folio. (2) 
30 


GENLIS (Stephanie Felicite Ducrest, Comtesse de). 
1746-1831. 


French writer who became governess to the children of the 
Duke of Orléans. 


120 GENLIS. 
Stipple by C. Watson after an original painting by 
ee Cosway. Bust. Very fine impression with the inscrip- 


: tion. With margin showing the plate-mark at the 
hike bottom and the right side, on the left side and the top 
it is lacking. 4to. 


ANOTHER PORTRAIT OF THE SAME. 


Line-engraving after the painting by Gérard. Bust in 
rectangular border. Very fine proof before all letters. 
With very large margin. Small folio. (2) 


GOURGAUD (Gaspard Baron). 
1783-1852. 
Celebrated French General and friend of Napoleon. He was sent 


with the Prince de Joinville to Saint Helena to bring back the body of 
the Emperor. 


121 GOURGAUD. LA MISSION DANGEREUSE. 


Stipple line-engraving by Badoureau after a painting 
pee by Guet. Fine impression with the inscription, printed 
| in colors and touched up with the brush. With margin 

q- Lf lacking the plate-mark. Folio. A few small tears in 
> ° the margin. 


GRETRY (André Ernest Modeste). 
1741-1813. 
Celebrated composer. Born in Liége. Was a favorite of the 
public during the Empire. 


122 GRETRY. 


sO Htching finished with the graver by L. J. Cathelin after 

eee a painting by Mme. L. Vigée Le Brun. Oval bust in 

rectangular border. Very fine and brilliant impression 

fr 4. with the inscription. With margin showing the plate- 
mark. Small folio. 


31 


GROUCHY (Emmanuel, Marquis de). 
1766-1847. 


French General. Fought in all the battles of the Empire. Arrived too 
late to save the day at Waterloo. After the abdication of Napoleon he 
came to America and returned to France in 1821. 


123 GROUCHY. 


Aquatint by Cheron. Oval bust in rectangular border. 
Very fine and brilliant proof before all letters. With 
margin trimmed to the plate-mark at the sides but show- 
ing it at top and bottom. Large 4to. 

VERY SCARCE. 


GUILLOTIN (Joseph Ignace). 
1738-1814. 


French doctor, who invented the beheading machine - 
which bears his name. 


124 GUILLOTIN. 


Toe 


Etching finished with the graver by B. L. Prevost after 
a drawing by J. M. Moreau. Circular bust in rect- 
angular ornamental border. Superb impression with 
the inscription. With small margin showing the plate- 
mark. 8vo. 


MACHINE PROPOSEE A L’ASSEMBLEE NATION- 
ALE POUR LE SUPPLICE DES CRIMINELUES. 
Aquatint ascribed to J. F. Janinet. Very fine impres- 
sion with the inscription. With margin lacking the 
plate-mark. 8vo. (2) 


GUINES (Adrien Louis de Bonniéres, Comte de). 


1735-1806. 


French diplomatist and ambassador to the court of St. James’s. 


125 GUINES. 


Son 


Mezzotint published by P. Lion. Three-quarter length 
sitting at a table. Very fine impression with the in- 
scription. With margin showing the plate-mark. Folio. 


32 


HARBOUVILLE (Charles Joseph Fortune, Marquis d’). 
1756-18209. 


An ardent Royalist. Nominated by Bonaparte governor of Antwerp 
and was one of the judges of Marshal Ney, who voted for his death. 
Was appointed General Director of the French post-office in 1815. 


126 HARBOUVILLE. 


Stipple by J. J. Van den Berghe after a painting by 
Hf. ra M. J. Van Bree. Oval bust in rectangular border. 

Very fine and brilliant open letter proof, printed in 
£ F/. bistre. With very large margin. Folio. 


HOCHE (Lazare). 
1768-1797. 


A well-known French General who was a great favorite. 


127, HOCHE. 


Stipple and line-engraving by C. Josi after the en- 

Se ae graver’s own design. Oval bust in rectangular orna- 

gs mental border. Very fine and brilliant impression with 

4 h~ the inscription. With margin showing the plate-mark. 
Folio. 


128 HOCHE. 


Aquatint by Coqueret after a painting by H. le Dru. 
Full length standing. Fine impression with the in- 
scription. With small margin lacking the plate-mark. 
Folio. 
ae 
TREATY OF PEACE OF SAINT FLORENT. (Pacifi- 
cation of the Vendée.) 


Lyte Stipple by Aliprandi after a drawing by Drevet. Fine 
impression with the inscription. With margin showing 
the plate-mark. Folio. 


PRENDS MON POSTE. .. Viens! Sauve la Patrie!!! 


Line-engraving. Engraver not ascertained. Impres- 
sion with margin showing the plate-mark at the top and 
sides but lacking it at the bottom. Small folio. (3) 


33 


BEAUHARNAIS (Hortense Eugenie de, Queen of 
Holland). 


1783-1837. 


Daughter of Josephine and wife of Louis Bonaparte. Became Queen 
of Holland. She was the mother of Napoleon III. 


129 HORTENSE. 


Line-engraving by C. 8. Pradier after a painting by 
46h - Gérard. Bust in ornamental border. Very fine im- 
o pression with the inscription, but before the dedication. 

With margin showing the plate-mark at the bottom 

only. Small folio. 


ANOTHER PORTRAIT OF THE SAME. 


Line-engraving by J. N. Laugier after a painting by 
Giraudet. Bust. Very fine impression with the in- 
scription. With large margin. Small folio. (2) 


JOMINI (Antoine Henri Baron de). 
1779-1869. 


Celebrated General and historiographer of* France. 


130 JOMINI. 


Weegee Stipple and line-engraving by B. Roger after a paint- 

3 5 ing by Muneret. Bust in oval. Superb proof with the 
artists’ names only, colored with the brush. With 

f 4 y margin showing the plate-mark at the side only. 4to. 


JORRY. 
French officer of the Revolution and the Empire. 


131 JORRY. 


$2 Stipple by H. Lips after the engraver’s own drawing. 
/ Bust in oval. Superb impression with the inscription. 
ke rs With large margin. 4to. 


34 


JOSEPH II of Austria. 
1741-1790. 
Emperor of Austria and brother of Marie Antoinette. 


132 JOSEPH II. 


Etching finished with the graver by Cathelin after a 
0 painting by Ducreux. Oval bust in rectangular orna- 
eo mental border. Very fine and brilliant impression with 
the inscription. With margin showing the plate-mark. 

Small folio. 


ANOTHER PORTRAIT OF THE SAME WITH 
LEOPOLD DUKE OF TUSCANY. 
_ Line-engraving by St. Superchy after a painting by 
P. de Battoni. Impression with the inscription. With 
margin showing the plate-mark. Small folio. (2) 


133. JOSEPH II. 


Etching finished with the graver by C. G. Shulze after 

ss a painting by Kimly. Oval bust in rectangular border. 

Very fine proof before the inscription, but with the 

4, ee artists’ names and the name of the personage traced 

tage with the needle. With margin trimmed to the plate- 
mark. Folio. 


JOSEPHINE (Rose Tascher de la Pragerie). 
1763-1814. 


Born in the Martinique. Married first Alexander de Beauharnais and 
afterwards Napoleon Bonaparte. Divorced in 1809, died 1814. 


134 JOSEPHINE, Madame Bonaparte. 


so Mezzotint published by John Fairburn. Oval bust in 
mr. rectangular border. Very fine and brilliant impression 
{ F-?3 with the inscription. With large margin. Folio. 
gli VERY SCARCE. 


1385 JOSEPHINE. 
Line-engraving by P. Audoin after a drawing by J. B. 
52 — Isabey; the decoration by C. Percier. Full length 
standing in coronation robes. Ornamental border. 
Superb proof with the artists’ names only. With mar- 
gin trimmed to the plate-mark. Folio. 
From ‘‘Le Sacre de Napoleon.’’ 


35 


JOUBERT (Barthelemy Catherine). 
1769-1799. 
Celebrated French General. Was killed in the battle of Novi. 


136 JOUBERT. 
S/S Aquatint by Marchand after a drawing by H. le Dru. 
Ht Full length in attack. Magnificent impression with the 
RR ft - inscription. With very large margin. Folio. 


JOURDAN (Jean Baptiste, Comte de). 
1762-1833. 


Celebrated General. Fought in America, and afterwards in all the 
wars of the Revolution and the Empire. 


1387 JOURDAN. 
50 Aquatint by Coqueret and Lachaussée after a drawing 
seo by H. le Dru. Full length standing. Very fine and 
Ke ; brilliant impression with the inscription. With margin 


edule ~ showing the plate-mark at top and sides but trimmed 
closely to it at the bottom. Folio. 


JUBE (Auguste, Baron de la Perelle). 
1765-1824. 
General and writer. Was one of Napoleon’s staff officers. 


1388 JUBE. 
50 Stipple by L. Benoist after a drawing by Mme. Mongez. 
/ — Half length. Very fine and brilliant proof with the 
7 artists’ names only in traced letters. With large 
Re * margin. Small folio. 


JUNOT (Andoche). 
1771-1813. 
General and aide-de-camp of Napoleon. Committed suicide in Trieste. 


139 JUNOT. 
Aquatint by Charon after a painting by Martinet. Full 
4. —  Jength standing near a cannon. Very fine and brilliant 
impression with the inscription. With margin showing 
- the plate-mark. 
36 


KAUNITZ (Prince). 
I7II-1794. 
Austrian diplomatist. Chief adviser of Marie Thérése, mother of 
Marie Antoinette. 


140 KAUNITZ. 


Line-engraving by J. M. Schmutzer after a medal by 
/(— Jean Hagenauer. Circular bust in rectangular orna- 
| mental border. Andresen No. 16. Second state. Mag- 
uA  nificent proof with the artist’s name traced with the 
ie With very large margin, slightly foxed. Large 
olio. 


141 KAUNITZ. 


Line-engraving by J. Schmutzer after a painting by 
/J — J.N.Steiner. Three-quarter length standing ; in border. 

Very fine and brilliant impression with the inscription. 
rode With margin showing the plate-mark. Folio. 


KELLET (Colonel William). 


Colonel of the 39th Regiment of Foot. Took part in the defence of 
Gibraltar against the French. 


142 KELLET. 


40_ Stipple by W. Baillie after the engraver’s own drawing. 

#4. ~~" Bust in oval. Superb impression with the inscription, 

_ printed in colors. With margin trimmed to the plate- 
yer’ mark. 4to. 


KILMAINE (Charles Joseph). 
1754-1799- 


French General. Came to America as second lieutenant of Biron. 
Fought under him and also under Lafayette. He was in command of 
the Helvetic army under Napoleon. 


148 KILMAINE. 
pare Aquatint by Coqueret after a drawing by H. le Dru. 
Sal Full length standing. Superb impression with the in- 
“Lf scription. With margin showing the plate-mark. Folio. 


wrrkclog 37 


LAMBALLE (Marie Therese Louise de Savoye Carrignan, 
Princesse de). 


1749-1792. 


Born in Turin.. She married Louis Alexandre de Bourbon Penthievre; 
lady-in-waiting to Marie Antoinette, and was assassinated. 


144 LAMBALULE. 


Lf ae Stipple by Ruotte after a drawing by Danloux. Bust 
in oval. Fine impression with the inscription. With 
Re. F. margin showing the plate-mark. Small folio. 


LA MOTTE (Jeanne de Luz, de Saint Remy, de Valois, 
Comtesse de). 


1756-1791. 
Celebrated intriguant who was one of the principal figures in the 


‘¢Queen’s Necklace’’ affair. She married in 1780 the Comte de la Motte, 
officer of the Comte d’Artois. 


145 MME. DE LA MOTTE. 


Aquatint ascribed to J. F. Janinet. Oval bust in 
% “-yeetangular border. Impression with the inscription, 
colored with the brush. With large margin. 8vo. 


LE COMTE DE LA MOTTE. - 
In the same state and condition. (2) 


LANNES (Jean). 
1769-1809. 


One of the greatest generals of Napoleon. Took active part in most of 
the battles of the Empire and died on the battlefield of Essling. 


146 LANNES. 


Shag Aquatint published by Esbard. Full length standing, 
, impression with the inscription. With margin trimmed 
phe to the plate-mark and inlaid. Small folio. 


38 


LASALLE (Antoine Charles Louis). 
1775-1809. 

Officer in an Alsatian regiment. He handed in his resignation at the 
time of the Revolution and enlisted as a private soldier, but soon won 
the rank of a General. He was killed in the battle of Wagram. 

147 LASALLE. 
Aquatint by Charon after a painting by Aubry. Full 


(oe length standing. Very fine impression with the in- 
a ue fh seription, printed in colors and touched up with the 


brush. With margin lacking the plate-mark and the 
publication-line. Folio. 


148 LASALLE. 


LO Mezzotint and aquatint by J. P. Jazet after a painting 


by Gros. Full length standing. Superb impression 


4 —~ with the inscription and margin trimmed to the plate- 


3 


mark. Elephant folio. 


LATUDE (Henri Masers de). 
1725-1805. 


Famous prisoner in the Bastille, who escaped four times from 
the French prison. 


149 LATUDE. 


Stipple by Vestier after the engraver’s own drawing. 
Three-quarter length standing. Very fine and brilliant 
impression with the inscription, colored with the brush. 
With large margin. Folio. 


LAUNAY (Bertrand René Jourdan, Marquis de). 
1740-1789. 


Governor of the Bastille. He defended the prison on the 14th of July, 
1789. He was taken and assassinated by the crowd. 


150 DE LAUNAY. 


40 Stipple by Chenon pére after a painting by the Conte 
oon 


de Cagliostro. Bust in oval. Fine impression with the 
inscription, printed in bistre, with margin lacking the 


fe S- plate-mark. 4to. 


39 


LAVOISIER (Antoine Laurent). 


1743-1794. 
French chemist and financier. He was beheaded on the 8th of May. 


151 LAVOISIER. 

5? Stipple and line-engraving by Tassaert after a painting 

2 by David. Oval bust in rectangular border. Very fine 
and brilliant impression with the inscription. With 

Z AfMo—~ margin showing the plate-mark. 4to. 


e 


ad 


LEBON (Nicolas). 
1742-1806. 
French chemist. Favorite of Napoleon. 


152 LEBON. 
xa Etching’ finished with the graver by Duhamel after the 
se engraver’s own drawing. Circular bust in rectangular 
border. Superb proof before all letters. With large 
ht earl margin. 


LEBRUN (Anne Charles). 


1775-1859. 
Son of Charles Francois Lebrun. Took up a military career and became 
General in 1812. Afterwards deputy and senator. 


153 LEBRUN. 
— . Aquatint and line-engraving by Henriquel-Dupont after 
/ P. Fromque. Bust. Superb proof with the artists’ 


pp WZ names in aquatinted letters. With large margin. 4to. 


SAINT FARGEAU (Louis Michel Lepeltier de). 


1760-1793. 
French lawyer who voted for the death of Louis XVIth. He was 
assassinated by a soldier named Paris. 


154 SAINT FARGEAU. 
Stipple and line-engraving by Verité. Oval bust in 
ails rectangular border. Very fine impression with the 
inscription. With large margin. The name of the 
pe engraver has been erased from the impression. A 
3 crease across left lower corner. Folio. 


ANOTHER PORTRAIT OF THE SAME. 


Stipple probably by Massol. Bust in circle. Superb 
impression with the inscription, printed in colors, with 
big margin but lacking the plate-mark. 8vo. (2) 

40 


L’ESTOCO (Antoine William Van). 
General Lieutenant. Chief of the Towarezys. 


155 L’ESTOCQ. 
Aquatint and etching. Engraver not ascertained. Full 
Se length standing. Fine impression with the inscription, 
colored with the brush. With margin showing the 
plate-mark. Small folio. 


LITTA (Madame Barbe, née Belgiojoso d’Este). 
Wife of Pompeo Litta, the well-known Italian genealogist who fought 
with Napoleon at Wagram and Austerlitz. 

156 LITTA. 


oat ae Stipple by F. John. Three-quarter length. Very fine 
Z/y and brilliant impression with the inscription, colored by 
4, 1/?- hand. With margin but lacking the plate-mark. Folio. 


LOUIS XVI. 
; 1754-1793. 
King of France. He was the third son of Louis of France, who was the 
son of Louis XV. Louis XVI died on the guillotine. 


157 LOUIS XVI when Dauphin. 


Etching finished with the graver by Ch. St. Gaucher 
¥ a after J. D. Andr. Gautier. Oval half length in rect- 
PAY - angular ornamental border. Superb impression with 

. the inscription. With margin showing the plate-mark. 
8vo. 
Companion to No. 237. 


158 LOUIS XVI when Dauphin. 


50 Etching finished with the graver, published by Desnos. 
/ tb The same type. Oval bust in rectangular ornamental 
border. Very fine impression with the inscription. 
With margin showing the plate-mark. 8vo. 
Companion to No. 230. 


159 LOUIS XVI when Dauphin. 


is Etching finished with the graver by Le Beau after a 
iene drawing by Fossier. Half length in oval and rectangu-. 
lar border with emblematic ornaments. Impression with 
hm , the inscription. The margin trimmed to the engraved 
surface at the top and the sides, at the bottom leaving 


enough space to show the inscription. Remargined. 
Small folio. 


Companion to No. 238. 
41 


LOUIS XVI—Continued. 


160 LOUIS XVI when Dauphin. 


Mezzotint by Richard Brookshaw after the engraver’s 
/ 6 —  owndrawing. Oval bust in rectangular border. Smith 

No. 14. Second state; the inscription reads: ‘‘Louis 

Auguste . . . Dauphin of France,’’ and with the 

Dauphin’s coat-of-arms. Very fine and brilliant im- 

pression. With large margin. A crease pressed out. 

Folio. 

Companion to No. 224. 


161 ANOTHER IMPRESSION OF THE SAME but when 
King. 
7 Third state. The plate is retouched and the inscrip- 
tion’ changed to ‘‘Louis XVI Roi de France,”’ etce., 
aad ’ and the coat-of-arms is that of the King. With margin 
showing the plate-mark. Folio. 


162 LOUIS XVI. 


Mezzotint by William Smith after a painting by D 

b= Lorge. Half length. Not mentioned by C. Smith. Very 

Qy- fine and brilliant impression with the inscription. 
: With margin showing the plate-mark. Small folio. 


163 LOUIS XVI. 


50 Etching finished with the graver by Duponchel after 
4d _-~ a painting by Vanloo. Oval bust in rectangular bor- 
der. Fine impression with the inscription, printed 
in red. With untrimmed margin (deckel edges). 
Small folio. 
Companion to No. 234. 


164 LOUIS XVI. 


Etching finished with the graver by Romanet. Oval 

5: te bust in rectangular ornamental border. Superb proof 

_ with ‘‘Romanet. Sculpsit. 1783.’’ traced with the 

pew needle. With small margin showing the plate-mark. 
Folio. 


165 LOUIS XVI. 


Etching finished with the graver by Sullin after a 
j eee painting by Vanloo. Oval bust in rectangular border. 
Very fine impression with the inscription. With large 
margin. Small folio. 
Companion to No. 231. 


42 


LOUIS XVI—Continued. 
166 LOUIS XVI. 


af ae 


fe” 


Ktching finished with the graver by Mlle. R. A. Savart 
after the engraver’s own drawing. Oval bust in rec- 
tangular ornamental border. Very fine and brilliant 
impression with the inscription. With large margin. 
Svo. 


167 LOUIS XVI. 


bet 


: ae 


168 


Bo 


Etching finished with the graver by Marie L. A. Boizot 
after a drawing by L. S. Boizot. Circular bust in rec- 
tangular ornamental border. Very fine, brilliant im- 
pression with the inscription. With margin lacking 
the plate-mark. 4to. 


LOUIS XVI. 


Line-engraving by Bervic after a painting by Callet. 
Full length standing in his robes. Superb proof with 
the artists’ names only. Small margin lacking the 
plate-mark. A few tears in the edges of the engraving 
carefully repaired. Slightly rubbed on one of the 
plumes. Large folio. 


169 LOUIS XVI. 


a 


Line-engraving by J. G. von Miiller after a painting 
by Duplessis. Full length standing in his robes. Fine 
impression with inscription. The margin trimmed to 
the plate-mark. An oil stain on the chair and creases 
backed and pressed out. Large folio. 


170 LOUIS XVI. 


ia 
Pw - 


Line-engraving and crayon manner by Coutellier after 
the engraver’s own drawing. Duplessis type. Oval 
but in rectangular border. Very fine and brilliant 
impression with the inscription. With very large 
margin. Slightly foxed. Folio. 


171 LOUIS XVI. 


ee 
at”. 


Stipple engraving by M. Bovi after the engraver’s own 
drawing. Three-quarter length seated at a table. 
Embroidered coat and Ordre of St. Esprit in oval. 
Impression with the inscription. With margin lacking 
the plate-mark. Small folio. 


Companion to No. 242, 
43 


LOUIS XVI—Continued. 


172 


Fi a 


5 
yr. 


173 


es 


a 


LOUIS XVI. 


Mezzotint by J. Daniel after a painting by 8. de Koster. 
The same type. Oval bust in rectangular border. 
Very fine and brilliant impression with the inserip- 
tion. With large margin. Folio. 

Companion to No. 245. 


LOUIS XVI. 

Line-engraving by B. L. Henriquez after a painting by 
J: Boze. The same type. Oval bust in rectangular 
border. Very fine and brilliant impression with the 
inscription. With large margin. Folio. 


LOUIS XVI. 


-Line-engraving by D. G. Tamburini after a painting 
by J. Boze. The same type. Oval bust in rectangular 
border. Superb open-letter proof, with the spaces for 
the arms left blank. With large margin. Folio. 


Signed and dated in ink by the engraver, and marked ‘‘ Prova 
avanti le Armi.’? 


LOUIS XVI. 


Mezzotint published ‘‘chez Basset’’ ascribed to J. F. 
Janinet after a painting by J. Boze. The same type, 
but in ornamented oval. Very fine and brilliant im- 
pression with the inscription, printed in colors. With 
margin lacking the plate-mark. 8vo. 


LOUIS XVI. 


Stipple by B. Le Clair after a painting by J. Boze. 
The same type, bust in oval. Very fine impression 
with the inscription, printed in bistre. With margin 
but lacking the plate-mark. Inlaid. 8vo. 


LOUIS XVI. 


Stipple by M. Bovi after a painting by H. Caleis. 
The same type, but the coat not embroidered, bust in 
oval. Very fine and brilliant impression with the 
inscription, printed in colors. With margin lacking 
the plate-mark. Folio. | 


LOUIS XVI. 


Stipple and line-engraving by M. Bovi after a paint- 
ing by Le Suire. The same type, coat not embroidered, 
bust in oval. Impression with the inscription from an 
extra plate, printed in colors. With untrimmed mar- 
gin (deckel edges). 4to. 


44 


LOUIS XVI—Continued. 


179 LOUIS XVI. 


| Stipple by F. Bartolozzi after a painting by P. Violet. 

at Bust in civilian clothes in oval. Impression with the 

9. 71 fp. inscription. With large margin. Not an early 
ua impression. 4to. 


180 LOUIS XVI. 


Engraving in crayon manner by P. Alix after a draw- 
ee ing by Le Barbier L’Ainé. Bust in civilian clothes in 
oval. Very fine and brilliant proof with the artists’ 
( danty names only. With margin showing the plate-mark. 
Large folio. 
Companion to No. 225. 


181 LOUIS XVI. 


ee Stipple by L. Legoux after a painting by J. Boze. 

4 ~~, The same type. Relief bust in circle. Superb impres- 

/) 4 sion with the inscription. With large margin. 12mo. 
Companion to No. 240. 


182 LOUIS XVI as Roman Emperor. 

Emblematical print glorifying the King as Liberator 

4 —~ of America and Restorer of the Freedom of the Seas. 
Etching finished with the graver by Fessard after a 
painting by D. Bardon. Full length standing, Very 
fine impression with the inscription. With margin 
trimmed to the plate-mark. Folio. 

From the J. Soulavie Collection. 


183 MINERVA SHOWING TO LOUIS XVI THE POR- 
TRAIT OF HENRI IV. 
é. —~ Etching finished with the graver by N. Le Mire after 
a drawing by Ch. N. Cochin. Very fine impression with 
. the inscription inclusive of the verses. With margin, 
Yr but lacking the plate-mark. 8vo. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine proof before the verses, with margin but 
lacking the plate-mark. (2) 


184 LOUIS XVI. ‘‘AU ROI.”’ 
Lv Etching finished with the graver by N. Le Mire after 
fi a drawing by Moreau le Jeune. Oval in rectangular 
ornamental border. Superb impression with the in- 
A re - scription. With margin showing the plate-mark. 
Folio. 


45 


LOUIS XVI—Continued. 


185 


4m 


cae | 


190 


LOUIS XII. HENRI IV. LOUIS XVI. 
Etching finished with the graver by A. de Saint Aubin 
after a painting by P. Sauvage. Relief busts in circle 
in rectangular ornamental border. Very fine and bril- 
liant impression with the names of the personages and 
of the artists only, the tablet is blank. With margin 
showing the plate-mark. 8vo. 


INAUGURATION DE LOUIS XVI AU TEMPLE DE 
LA CONSTITUTION. 


Etching finished with the graver by David after a 
drawing by Le Jeune. Very fine and brilliant impres- 
sion with the inscription. With untrimmed margin 
(deckel edges). Folio. 


MONUMENT A LA GLOIRE DE LOUIS XVI. 
Etching finished with the graver by Vangelisty, under 
the direction of Gaucher, after a drawing by Monsiau. 
Superb proof before all letters, but with the vignette. 
With margin, but lacking the plate-mark. With the en- 
graver’s signature in ink. Folio. 


LOUIS XVI RECEVANT LE DUC D’ENGHIEN AU 
SEJOUR DES BIENHEUREUX. 
Aquatint by J. P. Jazet after a painting by Rohen. A 
group of the principal personages of the French Revo- 
lution. Fine impression with the inscription. With 
margin trimmed to the plate-mark. Folio. 


LOUIS XVI STOPT IN HIS FLIGHT AT 
VARENNES. 
Stipple by M. Bovi after the engraver’s own drawing. 
Very fine open letter proof. With margin trimmed to 
the engraved border at top and sides, at the bottom 
the plate-mark is just missing. Folio. 


LOUIS XVI. ARRIVEE DU ROI A PARIS. 


Aquatint by Guyot. Impression with the inscription, 
printed in colors. With the margin showing two 


ee ee register-marks, but lacking the plate-mark. 8vo. 


et 


LA FUITE A DESSEIN. 
Aquatint by Guyot. Impression with the inscription, 
-printed in colors. With small margin lacking the plate- 
mark. Laid down on drawing paper. Small folio. (2) 


46 


LOUIS XVI—Continued. 


191 LOUIS XVI IN THE TEMPLE. 


sh Stipple by G. Keating after a painting by Singleton. 

ee). Full length sitting in jail. Oval. Very fine impression 

porte with the inscription. With margin showing the plate- 
mark. Folio. 


192 THE MEMORABLE ADDRESS OF LEWIS THE 
SIXTEENTH AT THE BAR OF THE NA- 
Dm TIONAL CONVENTION. 


. Stipple by L. Schiavonetti after a painting by W. 

Jur? Miller. Very fine and brilliant impression with the 

: inscription. With margin showing the plate-mark at 
the sides only. Folio. 


193 LES ADIEUX DE LOUIS XVI A SA FAMILLE. 


50 Stipple and line-engraving by J. J. Haunz. Very fine 
/ ate proof before all letters, with the signature of the en- 
graver. With large margin. Folio. 


- 


194 LOUIS XVI AVEC SON CONFESSEUR EDGE- 
WORTH UN INSTANT AVANT SA MORT. 


20 —  Stipple engraving by Cazenave after a painting by 

Jy” Benazech. Very fine impression with the inscription, 

: printed in colors and touched up with the brush. With 
small margin lacking the plate-mark. Folio. 


195 THE ROYAL FAMILY OF FRANCE. 


Stipple by M. Bovi after a drawing done in the Temple. 
7 — Impression with the inscription. With margin lacking 
the plate-mark. Folio. 
aed 


LOUIS XVII. 
1785-1795. 
Son of Louis XVI and Marie Antoinette. He was imprisoned in the 


Temple in 1792, and was proclaimed King by the émigrés on the execu- 
tion of his father in 1793, but died in prison. 


196 LOUIS XVII. 


pa Stipple and line-engraving by J. Neidel after a painting 

Be by J. Miery. Oval bust in rectangular border. Very 

4 th. fine impression with the inscription and with un- 
trimmed margin (deckel edges). 4to. 


47 


197 LOUIS XVII. 
fv Stipple by Cheesman after a drawing by J. H. Bust 
/ y in oval. Impression with the inscription, printed in 
[hv blue. With margin cut to oval shape for framing. Svo. 


198 LOUIS XVII. 
sO Stipple by N. Heideloff after the engraver’s own draw- 
we ce ing. Full length standing in his robes. Very fine 
impression with the inscription. With margin, but 
4 #1, lacking the plate-mark. 8vo. 


LOUIS XVIII. 
1755-1824. . 


Stanislas Xavier, Comte de Provence, brother of Louis XVI; 
recognized as Louis XVIII in 1795: 


199 LOUIS XVIII, when ‘‘Monsieur.”’ 
5O_ Mezzotint by W. Pether after a painting by Mée. Le 
ies Ae Brun. Oval bust in rectangular border. Smith No. 28. 

yay _ Second state. Impression with the inscription. With 
‘i margin showing the plate-mark. Folio. 


200 LOUIS XVIII, when ‘‘Monsieur.’’ ; 

Etching finished with the graver by A. F. David after 
. ZO a painting by Drouais. Oval bust in rectangular 
) et border. Very fine impression with the name of the 
yw . personage in unshaded letters. With margin, but 
7 : lacking the plate-mark. The margin to the left has 

been replaced and a fold pressed out. Folio. 
From the J. Soulavie collection. 


2901 LOUIS XVIII, when ‘‘Monsieur.’’ 


_-— Htching finished with the graver by Cathelin after a 
a painting by Drouist (sic). Folio bust in oval orna- 


mental border. Very fine impression with untrimmed 
margin (deckel edges). Folio. 


202 LOUIS XVIII, when ‘‘Monsieur.’’ 


_ Etching finished with the graver by Mile. M. L. A. 
os al Boizot after a drawing by L. 8. Boizot. Circular bust 
in ornamental border. Very fine and brilliant impres- 
4 Gl, sion with the inscription. With very large margin. 
. Folio. 
48 


203 LOUIS XVIII. 
Line-engraving by P. Audoin after the painting by 
3{—  A.¥. Gros. Full length standing in his robes. Superb 
proof with the artists’ names and the publication-line 
only. With large margin. Folio. 


204 LOUIS XVIII. 
Line-engraving by R. U. Massard after a painting by 
F. Gérard. Full length seated on the throne in his 
70 — yobes. Superb proof with the artists’ names only. 
With large margin showing the plate-mark at the top 
and sides but lacking it at the bottom. Signed in pencil 
by Fr. Gérard. Elephant folio. 


205 LOUIS XVIII. 
5 Stipple and line-engraving by L. Benoist after the 
ae engraver’s own drawing. Bust. Very fine and brilliant 
| impression with the inscription, printed in colors. With 
3, 63 a pb. untrimmed margin (deckel edges). Small folio. 


LOUIS PHILLIPPE (“Egalité’”). 
1747-1793. 
Due of Orleans, who voted for the death of Louis XVI and 
was beheaded a year later. 
206 EGALITE. 

Mezzotint by J. R. Smith after a painting by J. Rey- 
Nd om nolds. Full length standing. Smith No. 125. Fine 

impression with the inscription. With margin trimmed 

to the plate-mark. Large folio. 


LOUIS PHILLIPPE D’ORLEANS. 
1773-1850. 
Son of Louis Philippe Joseph (Egalité) d’Orleans; came to America 
in 1796; elected King of France in 1830 and abdicated in 1848. 


207 LOUIS PHILLIPPE. 
Fa Etching finished with the graver by Chevillet after the 
/ ag engraver’s own drawing. Oval bust in rectangular bor- 
: der. Very fine and brilliant impression with the 
frigcn-s inscription. With large margin. Small folio. 


208 LOUIS PHILLIPPE. 
Aquatint by J. P. Jazet after a painting by H. Vernet. 
/~ On horseback with his staff. Very fine and brilliant 
i impression with the inscription. With margin show- 
Phe ing the plate-mark at the bottom only. Large folio. 


49 


ne 


LUISE AUGUSTE WILHELMINE AMALIE 
(Konigin von Preussen). 
1776-1810. 


Princess of Mecklenburg Streletz. Married Frederick William in 1793, 
and was energetically opposed to France. 


209 LOUISE VON PREUSSEN. 

Stipple by F. Jiigel after a drawing by L. Wolff. Three- 
; quarter length in clouds. Very fine and brilliant im- 
/ WY, pression with the inscription. With very large margin. 
f? Folio. 


= 


‘LOUISE MARIE ADELAIDE DE BOURBON 
PENTHIEVRE. 
1753-1821. 
Wife of Philippe Egalité. Mother of Louis Philippe. 


210 LOUISE DE BOURBON. 
Stipple by Mécou after a painting by A. Dumeray. 
| Seas Oval bust in rectangular frame. Very fine and brilliant 
impression with the inscription, but before the publica- 
fpr tion-line. With the painter’s stamp. With untrimmed 
as margin (deckel edges). Small folio. 


LOUISE MARIE DE BADE (Empress of Russia). 
Wife of Alexander I of Russia. 


211 LOUISE DE BADE. 
50 Stipple probably by C. Watson. Oval bust in rec- 
h oe) tangular border. Very fine and brilliant impression 
; $ p> with the inscription. With large margin. 4to. 


LOUVET DE COUDRAY (Jean Baptiste). 
1760-1797. 
French writer, author of ‘‘Faublas’’ and member of the Convention. 


212 LOUVET. 
5-0 Stipple by H. Lips after a drawing by Bréa. Bust in 
oval. Very fine and brilliant impression with the in- 
scription. With very large margin. 8vo. | 


[hae 50 


MACDONALD (Jacques Etienne Joseph Alexandre, 
Duc de Tarente). 


1765-1840. 


French General. Fought under Napoleon but was disgraced from 1804 
to 1809. Afterwards received the title of Duke of Tarente. 


213 MACDONALD. 


Stipple and etching by F. Maradan after a drawing. 
3 ae by U. Boze. Full length standing. Very fine impres- 
sion with the name of the personage in traced letters. 
With margin but lacking the plate-mark. Large folio. 


MALSHERBES (Guillaume Chrétien de Lamoignon de). 
1721-1794. 


French lawyer who defended the King before the Revolutionary 
Tribunal. 


214 MALSHERBES. 


Etching finished with the graver by Hubert after a 
team drawing by Bonnieu. Oval bust in rectangular border. 

Very fine and brilliant impression with the inscription. 
ON, With very large margin. Folio. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine and brilliant proof before all letters. With 
small margin lacking the plate-mark. Folio. (2) 


MARAT (Jean Paul). 
1743-1793.- 


Publicist and writer. One of the strongest figures of the Revolution. 
Assassinated by Charlotte Corday. 


215 MARAT. 


Va?) Stipple and line-engraving by Verité after a drawing 
/ art By Mieee tat Oval bust in rectangular border. Very 
fine and brilliant impression with the inscription. 

Yr. With very large margin. Folio. 


51 


216 MARAT. 


s Line-engraving by Et. Beisson after a painting by J. 
1 ae oil Boze: Bust in rectangular border. Very fine and 


Wr - brilliant proof with the artists’ names only. With 
. untrimmed margin (deckel edges). Folio. 


217 MARAT. 


50. Stipple and line-engraving by Toureaty after a paint- 

/ ing by S. Petit. Three-quarter length standing on the 

tribune. Very fine and brilliant impression with the 
inscription. With very large margin. Folio. 


218 MARAT, dead. 


at Line-engraving by Copia after the drawing by David. 
/ Head on octagonal ground with rectangular border. 


(fe Impression with the inscription and with small margin 
f? lacking the plate-mark. Folio. 


MARBOT (Jean Baptiste Antoine Marcellin, Baron). 
1782-1854. 


French General who was in all the campaigns of Napoleon 
and also at the conquest of Algeria. 


219 MARBOT. 


_ Mezzotinted aquatint by Coqueret after a drawing by 
; Wicar. Half length in oval. Very fine and brilliant 
fh, proof with the inscription in traced letters. With mar- 
.~- gin but lacking the plate-mark. Small folio. 


we, 


Ee 


- 


XAVIER (Marie Adélaide Clotilde). 
1759-1802. 


Grand-daughter of Louis XV and sister of Louis XVI. She became 
Queen of Sardinia. 


220 MARIE CLOTILDE. 
a) Etching finished with the graver by Le Beau after 
ee a drawing by Fontaine. Oval bust in rectangular orna- 


mental border. Very fine and brilliant impression 


(re with the inscription, but before the number. With very 
/ large margin. 8vo. 


52 


MARIE ANTOINETTE. 
1755—1793- 


She was born at Vienna November 2, 1755, the daughter of the Em- 
peror Francis I and Maria Thérésa, and married the Dauphin of France 
(afterward Louis XVI) in 1770. After the accession of her husband 
she opposed the demands of the popular party and on the outbreak of 
the Revolution urged decisive measures for its suppression. She was im- 
prisoned in August, 1792, and was executed October 16, 1793. 


221 


hor. 
(lone 
222 


Pie 


[tnt 


MARIE ANTOINETTE. 


Etching finished with the graver by G. Th. Benoist 

after the engraver’s own design. Oval bust in rec- 

tangular border. Gower No. 30. Very fine and bril- 

liant impression before the engraver’s name. With 

small margin lacking the plate-mark and inlaid. 8vo. 
From the Didot Collection. 


MARIE ANTOINETTE. 


Stipple engraving by J. L. Benoist Jeune after the 
painting by Mme. Vigée Lebrun. Bust in circle. 
Gower No. 31. Very fine impression with the inscrip- 
tion and large margin, but lacking the plate-mark. 
Inlaid. 8vo. 


ANOTHER IMPRESSION OF THE SAME. 
In the same state and condition; printed in colors. (2) 


LE ROI, LA REINE, LE DAUPHIN. 


Stipple and mezzotint by Bonneville after the en- 
graver’s own drawing. Relief busts in rectangular 
frame. Gower No. 50. Very fine and brilliant im- 
pression with the inscription, printed in colors. With 
margin but lacking the plate-mark. Small folio. 


Reproduced in Lord Gower’s ‘‘Iconographie des Portraits de 
Marie Antoinette. ’’ 


MARIE ANTOINETTE. 


Mezzotint by R. Brookshaw after the artist’s own paint- 
ing. Oval bust in rectangular border. Gower No. 64. 
First state. Very fine and brilliant proof, with the 
coat-of-arms and the name of the artist in traced let- 
ters. With large margin. Folio. 

Companion to No. 160. 


MARIE ANTOINETTE. 


Engraving in crayon manner by Cazenave after a draw- 
ing by Le Barbier 1’Ainé. Bust in oval. Gower No. 
78. Superb proof with the names of the artists and 
the date only. With very large margin. Folio. 
Companion to No. 180. 
53 


MARIE ANTOINETTE—Continued. 


29226 JUGEMENT DE MARIE ANTOINETTE D’AU- 
50. TRICHE. | 


BS Ss Stipple by Cazenave after a drawing by Bouillon. 

yw. Gower No. 79. Impression with the inscription. With 

Sa small margin lacking the plate-mark. Not an early 
impression. Folio. 


227 MARIE ANTOINETTE. 


Stipple by T. Cheesman after the engraver’s own draw- 
/{— ing. Bust in oval. Gower No. 83. Very fine proof 
with the artist’s name and the publication-line only, 


/ printed in bistre. With margin lacking the plate- 
mark and inlaid. 8vo. 


ANOTHER IMPRESSION OF THE SAME. 


Very finely printed in colors. The margin trimmed 
to the engraved surface and laid down. (2) 


228 MARIE ANTOINETTE. 


Etching finished with the graver by Croisey after the 

gD _— engraver’s own design. Oval bust in rectangular orna- 
mental border. Gower No. 96. Very fine and brilliant. 
impression with the inscription. With margin show- 
ing the plate-mark. Folio. 


‘‘One of the best portraits existant of the youthful prin- 
cess,’’—Bryan. 


229 MARIE ANTOINETTE. 


Stipple by Curtis after a painting by Dufroe. Oval 
b Q — bust m rectangular border. Gower No. 98. Very fine 

impression with the inscription, printed in colors. 

With margin but lacking the plate-mark. Folio. 


230 MARIE ANTOINETTE, when Dauphine. 
50 Etching finished with the graver published by Desnos. 
4 )- Oval bust in rectangular ornamental border. Gower 
No. 118. Very fine and brilliant impression with the 
7 Fe inscription. With margin showing the plate-mark. 8vo. 
GL Companion to No. 158. 


231 MARIE ANTOINETTE. 
Etching finished with the graver by Dupin fils after 
¥ _-— a painting by Vanloo. Oval bust in rectangular bor- 
der. Gower No. 128. Very fine and brilliant impres- 
sion with the inscription. With very large margin. 
Companion to No. 165. 


54 


MARIE ANTOINETTE—Continued. 


232 ANOTHER IMPRESSION OF THE SAME. 


Second state (which Lord Gower described after the 

3 on impression in the Bibliothéque Nationale of Paris). 
The hairdressing of the queen has been entirely 
changed and feathers added. Superb impression with 
the inscription. With very large margin. 


233 MARIE ANTOINETTE. 


Ktching finished with the graver by Dupin fils after 

550 a painting by Vanloo. Oval bust in rectangular bor- 

-—— der. Gower No. 129. Very fine and brilliant impres- 

V4 ra sion with the inscription. With margin showing the 
| plate-mark at the bottom only. Small folio. 


234 MARIE ANTOINETTE. 


£0 Etching finished with the graver by Duponchel after 
a a drawing by Vanloo. Folio. Oval bust in rectangular 
border. Gower No. 132. Fine impression with the 


inscription, printed in red. With large margin. 
vf, Companion to No. 163. 


235 MARIE ANTOINETTE. 


50 Stipple and line-engraving by Gabrielli after a paint- 

_— ing by 8. Gratise. Oval bust, with the scene before 
her execution below, in rectangular border. Gower No. 
148. Very fine and brilliant impression with the 
inscription. With large margin. Large 4to. 


3 


236 MARIE ANTOINETTE. 


yo Mezzotint by John Elias Haid after a painting by 
‘BA *— Michel Milliez. Oval bust in rectangular border. 

Gower No. 171. Superb impression with the inscrip- 
yw. tion. With very large margin. Folio. 


° EXTREMELY RARE. 
(See Frontispiece. ) 


237 MARIE ANTOINETTE, when Dauphine. 


, Etching finished with the graver by Hubert after the 
? aie engraver’s own drawing (?). Oval bust in rectangular 


ornamental border. Gower No. 181. Superb impres- 
4 sion with the inscription. With margin showing the 
NF plate-mark. 8vo. 


Companion to No. 157. 
55 


MARIE ANTOINETTE—Continued. 


238 MARIE ANTOINETTE, when Dauphine. 


Etching finished with the graver by Le Beau after a 
b — drawing by F. Fossier. Oval bust in rectangular orna- 
mental border. Gower No. 211. Very fine and bril- 
liant impression with the inscription. The margin 
trimmed closely to the plate-mark and inlaid. Small 


folio. 
Companion to No. 159. 


239 MARIE ANTOINETTE, when Dauphine. 


Etching finished with the graver by Le Beau after 
50 a drawing by Marillier. Oval bust in rectangular orna- 
mental border. Gower No. 212. Superb impression 
4. with the inscription but before the number. With large 
R margin. 8vo. 


240 MARIE ANTOINETTE. 
ie Stipple by L. Legoux after Camponas. Relief-bust in 
oe circle. Gower No. 223. Very fine and brilliant im- 
pression with the inscription. With very large margin. 


Ape 12mo. 
/ Companion to No. 181. 


241 MARIE ANTOINETTE. 
Stipple engraving by L. Legoux after a drawing by 
4 Mise. de Lezay Marnesio. Bust in circle. Gower No. 
224. Very fine impression with the inscription, printed 
S Le /y. in colors. With margin trimmed to the plate-mark. 
Sab 8vo. 


242 MARIE ANTOINETTE. 
ee Stipple engraving by Car Macret after a painting by 
/ 5 ~ Mme. L. E. Vigée Lebrun Three quarter length seated 
f in oval. Gower No. 254. Fine impression with the in- 
Mie - scription. With margin, but lacking the plate-mark. 
Companion to No. 171. 


243 MARIE ANTOINETTE. 
Etching finished with the graver by J. Massard after 
50 the engraver’s own drawing. Oval bust in rectangular 
/] ?_~ ornamental border. Gower No. 263. Very fine and 
| brilliant impression with the inscription. Trimmed 
to the engraved surface and remargined. 12mo. 


fame) LOUIS XVI, CHARLES X, and LOUIS XVIII. 
All in the same state, but with margins showing the 
plate-marks. (4) 
56 


MARIE ANTOINETTE—Continued. 


244 MARIE ANTOINETTE. 


Etching finished with the graver by S. C. Miger after 
JO is a painting by J. Boze. Oval bust in rectangular orna- 
mental border. Gower No. 267. Superb impression 


with the inscription. With margin trimmed to the 
plate-mark. Folio. 


245 MARIE ANTOINETTE. 


50 Mezzotint by J. Murphy after a painting by S. de 
3 oe Koster. Oval bust in rectangular border. Gower No. 
279. Very fine and brilliant open letters proof, with 


yw - large margin. Folio. 
Companion to No. 172. 


246 MARIE ANTOINETTE. 
Mezzotint by Murphy after a painting by M4. la Mise. 
AL de Brehan. Three-quarter length, seated. Gower No. 
280. Fine impression trimmed to the engraved surface 
Ye ~ and cleverly remargined. Folio, 


247 SERMENT DU SACRE. 
50 Etching finished with the graver by Née et Masquellier 
be: ak alter a drawing by Monet. Gower No. 285. Superb 
impression with the inscription. With very large 
margin. Small folio. 


248 LES GARANTS DE LA FELICITE PUBLIQUE. 


om) Ktching finished with the graver by Née et Masquellier 
s e . . 

~~ after a drawing by Saint Quentin. Gower No. 286. 

Fine impression with the inscription. With small 


Mawasheg margin lacking the plate-mark. Folio. 


249 LES VOEUX DU PEUPLE CONFIRMES PAR LA 
RELIGION. 

3 ihe Etching finished with the graver by Née et Masquellier 

after a drawing by Monet. Gower No. 287. Fine 


impression with the inscription. With small margin 
|i“ lacking the plate-mark. Folio. 


250 AVENEMENT DE LOUIS XVI ET DE MARIE 
ANTOINETTE D’Autriche au tréne de France. 

Ly ae Etching finished with the graver by Patas after the 

engraver’s own drawing. Gower No. 294. Fine impres- 


if sion with the inscription. With margin, but lacking the 
plate-mark. Small folio. 
From the J. Soulavie Collection. 


57 


MARIE ANTOINETTE—Continued. 


251 HOMMAGE DES ARTS. 
Etching finished with the graver by B. L. Prevost after 
20-7 a drawing by Ch. N. Cochin. Oval bust in a composi- 
; tion. Gower No. 309. First State. Very fine and 
brilliant impression with the portrait of the Queen, 
[bu47 and with the inscription. Small margin lacking the 
plate-mark. Folio. 


ANOTHER IMPRESSION OF THE SAME. 


Second state. The portrait of the Queen has been 

burnished out and replaced by Liberty. Fine impres- 

sion with the inscription and with large margin. (2) 
Reproduced in Lord Gower. 


2952 MARIE ANTOINETTE. 
Line-engraving by B. Roger after the painting by 
Lb oe Rossline le Suedois. Full length standing. Gower No. 
321. Magnificent proof with the artists’ and printers’ 
names only. With very large margin. Elephant folio. 


p pe . With the stamp of Monenteuil, the designer, and another 
< stamp, possibly the publisher’s. 


253 MARIE ANTOINETTE. 


Stipple by Ruotte after a drawing by Césarine. Bust 

_— in oval. Gower No. 327. Very fine impression with 

Af 7 the inscription in traced letters. With margin but 
lacking the plate-mark. Small folio. 


254 LOUIS XVI ET SA FAMILLE. 


Etching finished with the graver by A. de Saint Aubin 

— after a drawing by Sauvage. Medallion busts in rect- 

j~ angular border. Gower No. 332. Superb proof before 

all letters. The inscription on the white tablet written 

Ibe" in ink. With small margin lacking the plate-mark. 
Small folio. 


255 MARIE ANTOINETTE. 


ee Etching finished with the graver by Alexandre Tardieu 
H after a painting by F. Dumont. Full length standing. 
Gower No. 350. Very fine impression with the inscrip- 

tion. With large margin. Folio. 


256 ANOTHER IMPRESSION OF THE SAME. 


Superb proof with the artists’ names only, in traced 
letters. With very large margin. Folio. 


wo 
n Ft: 58 


MARIE ANTOINETTE—Continued. 


207 MARIE ANTOINETTE. 


= Etching finished with the graver published by Esnauls 

Se et Rapilly. Not mentioned by Gower. Oval bust in 

rectangular ornamented border. Very fine impression 

wer. with the inscription. With small margin lacking the 
plate-mark. 8vo. 


258 LOUIS SEIZE, THE QUEEN AND DAUPHIN. 
4 7—- Stipple after a painting by Savage. Not mentioned by 


Gower. Medallion busts in rectangular border. Very 
fine impression with the inscription in open letters, 

Moramsteg printed in two tints. With small margin lacking the 
plate-mark. 8vo. 


259 MARIE ANTOINETTE. 


40 Aquatint in Janinet’s style. Not mentioned by Gower. 
/ i Oval bust in rectangular border. Very fine proof be- 
fore all letters, printed in bistre. The margin trimmed 

i to the engraved surface. 4to. RARE. 


260 UN SEUL DE LEURS REGARDS SUFFIT A NOTRE 
wv GLOIRE. 
/—__ Etching finished with the graver by Mie. Ae Croisier 
: [omy after a drawing by Ch. N. Cochin. Not mentioned by 
Gower. Fine impression with the inscription. With 
small margin lacking the plate-mark. 8vo. 


261 MARIE ANTOINETTE LEAVING THE TRIBUNAL 
REVOLUTIONAIRE. 


go Line-engraving-by A. Francois. Not mentioned by 
Yor? Gower. Superb proof before all letters. With large 
" Inargin and with the dedication of the engraver to Mrz. 

Duris in pencil. Large folio. 


262 THE TRIAL OF MARIE ANTOINETTE, Queen of 

France. 7 
Stipple by M. Bovi after a painting by Pellegrini. Not 
4 mentioned by Gower. Fine impression with the in- 
Fol scription. With large margin. Folio. 


ee 


263 THE UNFORTUNATE MARIE ANTOINETTE, 
Queen of France at the place of Execution, October 
j se 16th. 1793. 


Mezzotint published by John Fairburn. Not mentioned — 
¥4 by Gower. Impression with the inscription. With 
margin showing the plate-mark. 


59 


MARIE ANTOINETTE—Continued. 


964 VIVE LA DANSE ET LE PAS DE TROIS. 
Caricature. Mezzotint by an unknown engraver. Not 
/ Hoe mentioned by Gower. Impression with the inscription, 
7 colored with the brush. With margin, but lacking the 


ht bri / plate-mark. 


265 JOURNEE DU 16 OCTOBRE 1793. 
Etching finished with the graver by Helman after a 
drawing by Monnet. Very fine impression with the 
4 -_ inscription. With margin, but lacking the plate-mark. 
é Folio. 


Jw": GaRICATURES OF THE QUEEN AND THE KING. 
Representing the first one as ‘“‘T’aspic.’? The second as 
a pig. Aquatints ascribed to Janinet, circular. Very 
fine impression before the inscriptions. (3) 


© S gde 


SECOND SESSION 
Friday Evening, March 30, 1917, at 8:15 o’clock 
LOTS 266-482 


MARIA FEDOROWNA (Empress of Russia). 
| 1759-1828. 


Princess of Wirttemberg. Married the Czar Paul I, who 
fought against Napoleon. 


266 MARIA FEDOROWNA. 
Stipple by J. Neidl after a painting by J. Kreutzinger. 


bo Half length in oval. Fine impression with the inscrip- 
poaVye tion. With margin but lacking the plate-mark. Large 
4to. 


MARIE JOSEPHINE DE SAVOIE 
(Comtesse de Provence). 


1753-1810. 


Wife of the Comte de Provence, brother of Louis XVI, 
afterwards Louis XVIII. 


267 MARIE JOSEPHINE (Madame). 


Mezzotint by W. Pether after a painting by M¢e- Vigée- 
L7 so Lebrun. Oval bust in rectangular border. Very fine 
and brilliant impression with the inscription. With 


Kew margin showing the plate-mark. Folio. 


268 MARIE JOSEPHINE. 


Line-engraving after a drawing by Boze. Bust in oval. 
ine Superb proof before all letters but with the arms. With 
very large margin. Small folio. 
R 7. 


61 


MARIE LOUISE (Archduchess of Austria, 
Empress of France). 


1791-1849. 


Daughter of Francis II of Austria. Married Napoleon I in 1810. 
After the downfall of the Empire she left France and not long after 
the death of her husband in 1821 contracted a morganatic marriage 
with Count Neipperg, her chamberlain. 


269 MARIE LOUISE. 


Stipple and line-engraving by J. Boggi after a drawing 
0d ah by J. B. Bosio. Three-quarter length standing. Very 

fine impression with the inscription, printed in colors. 
wrt With large margin. Folio. 


270 MARIE LOUISE. 


Stipple by J. Neidl after a painting by Hechele. Bust 
4— in oval. Very fine and brilliant impression with the 
inscription. With large margin. Large 4to. 


Hyww 44 From the Hoffmann Collection. 
/ 


271 MARIE LOUISE. 


Line-engraving by J. F. Ribault after a drawing by 
= Duclos. Oval bust in rectangular border. Very fine 
impression with the inscription, colored with the brush. 

R L£ : With large margin. Folio. 


ANOTHER IMPRESSION OF THE SAME. 


Very fine and brilliant proof with the artists’ names 
and the publication-line only. With large margin. 
Creased. (2) 


972 MARIE LOUISE. 


Stipple and line-engraving by Mécou after a painting 
40 «<o by J. P. Isabey. Full length standing, in coronation 

robes. Very fine, brilliant open letter proof. With 

untrimmed margin (deckel edges). Large folio. 


273 MARIE LOUISE. 


Stipple and line-engraving by J. Godefroy after the 

yi ha engraver’s own drawing. Full length standing in the 

park at Fontainebleau. Very fine and brilliant proof 

Pecan | with the artists’ names and the publication-line only, in 
/ traced letters. With large margin. 


62 


274 MARIE LOUISE. 


‘eo Stipple engraving by Louis Rados after a drawing by 
4 ~"_ J. B. Bosio, the head drawn from life by Prud’hon. 
Full length standing. Very fine, brilliant impression 
with the inscription. With margin lacking the plate- 

mark and the publication-line. Large folio. 


275 MARIE LOUISE. 


40 Stipple by D. Weis after a painting by B. Nob. de 
ie Guerard. Bust in oval. Very fine impression with the 
“W inscription, printed in colors. With margin showing 
Re - ~~ the plate-mark. Small folio. 


MARIE THERESE (Princesse de Savoie). 
1756-1805. 


Wife of the Comte d’Artois, brother of Louis XVI, 
afterwards Charles X. 


276 MARIE THERESE DE SAVOIE. 


ee Etching finished with the graver by Le Beau after a 
om painting by J. Ferdink. Oval bust in rectangular orna- 
Lato mental border. Very fine, brilliant impression with the 
i inscription. With margin showing the plate-mark. 8vo. 


277 MARIE THERESE DE SAVOIE. 


Etching finished with the graver by Cathelin after a 
‘i painting by Drouais. Oval bust in rectangular orna- 
| mental border. Superb proof before all letters, only 
wl with the coat-of-arms. With small margin showing 
i, the plate-mark. Small folio. © 


se 


278 MARIE THERESE DE SAVOIE. 


Kitching finished with the graver by Cathelin after a 

—_— ° . ° . 
“ painting by Drouais. Oval bust in rectangular orna- 
mental border. Very fine, brilliant impression with 


/ Lor the inscription. With large margin. Small folio. 
63 


MARIE THERESE (Charlotte de France, 
; Duchesse d’Angouleme). 


1778-1851. 


Daughter of Louis XVI. She was exchanged for French 
prisoners in Austria. 


279 MARIE D’ANGOULEME. 

Line-eneraving by A. Godefroy after a drawing by 
i= A. Garnerey. Full length standing. Very fine and 
ae brilliant impression with the inscription, printed in 
Py pe vs -With untrimmed margin (deckel edges). Small 
d olio. 


280 MARIE D’ANGOULEME. 
 -Stipple after a drawing made by telescope during her 
[aon incarceration at the Temple. Bust in oval. Very fine 
| open letter proof. With margin but lacking the plate- 
yyw 74 mark and the publication-line. Small folio. 


ANOTHER PORTRAIT OF THE SAME. 

Stipple engraving after a drawing by le Comte de 
Novion. Circular bust in rectangular border. Fine 
proof before all letters. With margin lacking the plate- 
mark. (2) 


981. MARIE D’ANGOULEME. 
Line-engraving by F. Lignon after a painting by B. J. 
g a Augustin. Oval bust in rectangular ornamental border. 
Very fine open letter proof. With large margin. Folio. 


ANOTHER PORTRAIT OF THE SAME. 
Line-engraving. Bust in circle. Proof before all letters, 
printed in colors. With margin showing the plate- 
mark, 12mo. (2) 


982 MARIE D’ANGOULEME. 
Line-engraving by P. Audinet after a painting by us, 
by it Danloux. Oval bust in rectangular border. Very fine, 
brilliant impression with the inscription. With very 
large margin. Folio. 


983 MARIE D’ANGOULEME. 
Stipple by J. M. Gudin after a drawing from life by 
wy) es Rouget. Three-quarter length standing. Fine impres- 
sion with the inscription. With margin lacking the 
jr . plate-mark. TFolio. 


64 


284 MARIE D’ANGOULEME. 


A Mezzotint by Ch. Turner after a painting by H. Villiers. 
5 Three-quarter length standing. Very fine impression 
4 Lf. with the inscription in open letters. With large margin. 
eb Folio. 


285 ANOTHER IMPRESSION OF THE SAME. 


[3s Magnificent proof before all letters. With large margin. 
tf A slight crease across the lower border. 


286 MARIE D’ANGOULEME. 


so Mezzotint by V. Green after a painting by Ch. Dubos. 
GA -— Oval bust in rectangular border. Very fine impression 

ps with the inscription, printed in colors. With margin 
wT - trimmed to the plate-mark. Small folio. 


MARIE THERESE (Archiduchesse d’Autriche, 
Princesse de Toscane). 


Daughter of Francis I of Austria. Married Prince Antoine 
Clement de Saxe in 1787. 


287 MARIE THERESE D’AUTRICHE. 


Line-engraving by Carlo Lasinio after the engraver’s 
a = Own drawing. Bust in ornamental oval. Fine impres- 
sion with the inscription, on greenish paper. With 
margin showing the plate-mark at the bottom only. 


fn Small folio. 


MARMONT (Auguste Frédéric Louis Viesse de, 
Duc de Raguse). 
1774-1852. 


French general, diplomatist, and writer. Defeated Wellington 
at Salamanca, 


288 MARMONT. 


Line-engraving by F. Forster after a painting by Mun- 
wwiteg eret. Oval bust in rectangular border. Very fine, 

brilliant impression with the name of the personage in 
gr unshaded letters. With large margin. Folio. 


i 65 


MONVEL (Anne Francois Hippolyte Boutet, 
Mademoiselle Mars). 
1779-1847. 
Celebrated French actress and favorite of Napoleon. 


289 Melle MARS DANS BETTY. 
40 Stipple by Lecomte after a drawing by EH. C. Renaud. 
— -Oval bust in rectangular border. Fine impression with 
| the inscription. With margin showing the plate-mark 
Ley at the bottom only. Small folio. 


290 Melle. MARS. 
Line-engraving by F. Lignon after a painting by F. 
ee Gérard. Half length. Very fine, brilliant proof with 
ody ~~ the artists’ names only in traced letters. With margin 
but lacking the plate-mark. Small folio. 


fw“ ANOTHER PORTRAIT OF THE SAME. 
Line-engraving by an unknown engraver. Bust in oval. 
Fine impression with the inscription, printed in colors. 
With large margin. 12mo. (2) 


MASSENA (André, Duc de Rivoli). 
1758-1817. 


French general. Fought against Wellington and was defeated by him 
before the trenches of Torres-Valdres in 1811. 


291 MASSENA. 


Mezzotint by Coqueret et Lachause after a drawing 
ope. by Hilaire le Dru. Full length standing. Very fine, 
3 ve brilliant impression with the inscription in traced and 


4 4 A dotted letters. With margin trimmed to the plate-mark. 
Cero EN OLD, 


MAURY (Jean Sifrein). 
1746-1817. 
French Cardinal and orator. Member of the Convention; 
was disgraced by the Pope in 1814. 
292 MAURY. 


Line-engraving by F. Godefroy after the engraver’s 
own drawing. Three-quarter length sitting at his table. — 
Impression with the inscription. With large margin. 


P ) fr Folio. 


/ ai 


66 


MAXIMILIAN (Joseph II, King of Bavaria). 
1756- 


Father-in-law of Eugéne de Beauharnais. At first was allied to 
Napoleon but deserted him in 1813. 


298 MAXIMILIAN. 
Be Stipple by Vallardi after the engraver’s own drawing. 
Sf Bust. Very fine, brilliant impression with the inscrip- 
¢/ . tion, printed in colors. With margin showing the plate- 
t.1- mark. Small folio. 


MESMER (Frédéric Antoine). 
1733-1815. 
German physician who discovered the phenomena of animal magnetism. 


294 MESMER. 
Ktching finished with the graver by Legrand after 
a drawing by Pujos. Oval bust in rectangular border. 
i. Zz. Very fine impression with the inscription. With large 
margin. Small folio. 


METTERNICH (Clemens Winneburg Ochsenhausen, 
Duke of Portella, Prince of). 
1773-1859. 
Austrian statesman and diplomatist. Head of the Congress of Vienna. 


295 METTERNICH. 
Mezzotint by S. Cousins after a painting by Sir Th. 
df — lawrence. Three-quarter length sitting. First state. 
Superb proof with the artists’ names and the publica- 
4 7 /3. ete only. With untrimmed margin (deckel edges). 
b 0110 


MIRABEAU (Honoré Gabriel Riquetti, Comte de). 
1749-1791. 


French orator. Member of the National Assembly, which he urged not 
to adjourn at the King’s command. 


296 MIRABEAU. 
Mezzotint by De Bréa. Bust, oval. Fine impression 


, printed in colors and touched up with the brush. The 
margin trimmed to the engraved surface. Folio. 


aoa er 


297 


298 


303 
Hy) 


fe 


MIRABEAU. 

Line-engraving. by P. Audoin after a drawing by M. 
Oval bust in rectangular ornamental border. Very 
fine brilliant impression with the inscription. With 
margin trimmed to the plate-mark. Folio. 


MIRABEAU. 


Stipple by Fiesinger after a drawing by J. Guerin. 
Bust in oval. Very fine, brilliant impression with the 
inscription, colored with the brush. With margin 
showing the plate-mark. Folio. 


DERNIERES PAROLES DE MIRABEAU. 


Etching finished with the graver by Delauney le Jeune 
after a drawing by A. Borel. Very fine, brilliant 
impression with the inscription. With margin trimmed 
to the plate-mark. Folio. 


ICI REPOSE MIRABEAU. 
Etching finished with the graver, published by Mond- 
hare. Fine impression with the inscription. With 
large margin. A wormhole in the background and a 
crease pressed out. Folio. 


HOMMAGES RENDUS A LA MEMOTRE DE MIRA- 
BEAU. : 
Etching finished with the graver by C. 8. Gaucher after 
a drawing by P. Groenia. Magnificent proof with one 
line of the inscription in open letters on the tablet and 
with the names of the artists traced with the needle. 
With small margin showing the plate-mark. Folio. 


APOTHEOSE DE HONORE GABRIEL RIQUETTI. 


Engraving in lavis by Bonnet after a drawing by Cl. 
Hoin. Very fine, brilliant impression with the inscrip- 
tion, printed in sepia. With margin showing the plate- 
mark. Small folio. 


MONGE (Gaspard, Comte de Péluse). 
1746-1818. 
French surveyor and founder of the Ecole Polytechnique. 


MONGEH. 


Aquatint by Quenedy after a drawing by Naigeon 
Jeune. Bust in oval. Very fine impression with the — 
inscription. With large margin. Large 4to. 


68 


MONNIER (Jacques Charles de). 
1758-1816. 


French general who defended Ancona. 


304 MONNIER. 
4 a Mezzotint by Coqueret after a drawing by Le Barbier 
. Painé. Full length standing. Superb proof with the 
he inscription traced with the needle. With large margin. 
Large folio. 


MONTPENSIER (Antoine Marie Philippe Louis 
d’Orleans, Duc de). 
1775-1807. 
Third son of Philippe Egalité and brother of Louis Philippe. 


300 MONTPENSIER. 


Stipple by Henriquel-Dupont after the engraver’s own 

drawing. Bust. Superb proof with the name of the 

. engraver only, in traced letters and before the reduc- 

fre tion of the plate; on India paper. With large margin. 
Large 4to. 


i — 


MOREAU (Jean Victor). 
1763-1813. 


French general. Accused of plotting against Napoleon and exiled. 
He came to America in 1813, and died at Dresden fighting against 
France. 


306 MOREAU. 
Stipple by A. Cardon after the engraver’s own draw- 
ae ing. Three-quarter length standing. Very fine and 
; brilliant impression with the inscription. With large 
ples margin. Small folio. 


307 MOREAU. 
Stipple and line-engraving by Chaponnier after the 
z engraver’s own drawing. On horseback. Very fine 
l I impression with the inscription, printed in colors. With 


margin trimmed to the plate-mark at the top and sides, 
RAP: at the bottom the plate-mark and publication-line are 
missing. Small folio. 


69 


308 MOREAU. 


Se Mezzotint by Coqueret after a drawing by Hilaire le 
aye Dru. Full length standing. Fine impression with the 


"A" inseription. With margin showing the plate-mark at 
apr the bottom only. Folio. 


309 MOREAU. 


Line-engraving by P. Audouin after a drawing by 

os on Gérard; the vignette by Duplessi Bertaux after his 

4 own design. Oval bust in rectangular border. Very 

R fine and brilliant impression with the inscription. 
With large margin. Folio. 


ANOTHER IMPRESSION OF THE SAME. 


Superb proof before the artists’ names and before the 
vignette but with the name of the personage in open 
letters. With untrimmed margin (deckel edges). (2) 


310 MOREAU. 
3 io Stipple engraving by E. G. Herhan after a drawing by 
J. Guerin. Bust in oval. Very fine and brilliant im- 


i a pression with the inscription. With large margin. Folio. 


311 MOREAU. 
oe Stipple engraving by Maradon after a drawing by 
ks Vanderval. On horseback. Fine impression with the 


me 4. inscription. With margin lacking the plate-mark. Folio. 


MURAT (Joachim). 
1771-1815. 
French general; brother-in-law of Napoleon. King of Naples as 


Joachim Napoleon. Fought against Austria and was defeated and 
shot. 


312 MURAT. 


Line-engraving by OC. 8. Pradier after a painting by 

4 — FB, Gérard. Full length standing, in his robes. Very 
fine proof with the artists’ names and the coat-of-arms 
only. With large margin, but lacking the plate-mark. 
Large folio. 


70 


313 MURAT. 
Line-engraving by C. S. Pradier after a painting by 
a F. Gérard. Bust. Very fine impression with the 
: artists’ names, the name of the personage and the coat- 
ple of-arms only, printed on India paper. With very large 
margin, Folio. 


314 MURAT. 
Stipple by Ruotte after a painting by Gros. Bust. 
2 Very fine and brilliant impression with the inscription. 


Z. PP. With margin lacking the plate-mark. Folio. 


315 MURAT. 


Stipple by Louis Rados after a drawing by J. B. Bosio. 
f3 — Full length. Very fine and brilliant impression with 

the inscription. With margin lacking the plate-mark. 

Large folio. 7 


NAPOLEON BONAPARTE. 
1769-1821. 


The first Emperor of the French, born at Ajaccio, Corsica, August 15, 
1769, and died a prisoner at St. Helena, May 5, 1821. He married 
Josephine de Beauharnais, March 9, 1796, divorced her December 16,. 
1809, and married Marie Louise of Austria, March 11, 1810. 


316 NAPOLEON. 
_  Stipple and line-engraving by L. Schiavonetti after a 
3 0 painting by F. Cossia. Half length. Very fine impres- 
sion with the inscription. With large margin. Large 
AF Co as 


317 NAPOLEON. 
Stipple. Bust in oval. Very fine and brilliant impres- 
[ 7 oe sion in brown with the name of the personage only. 
4 AP). With very large margin. Slightly foxed. Folio. 


318 NAPOLEON. 
_  IUine-engraving by J. Landseer after a drawing by 
a W. M. Graig from the painting by F. Cossia. Half 
length in octagonal frame surrounded with ornaments. 
a. ws _ Fine impression with the inscription. With margin 
lacking the plate-mark. Folio. 


71 


NAPOLEON BONAPARTE—Continued. 


319 NAPOLEON. 
sb_ Line-engraving by G. Longhi after a painting by Le 
oy. —~ Gros. Three-quarter length, leading the charge on the 
bridge of Arcola. Very fine impression with the in- 
scription. With margin showing the plate-mark. 


320 NAPOLEON. 


27 Stipple by G. Fiesinger after a drawing by J. Guerin. 
2 Bust in oval. Fine impression with the inscription. 
qua With large margin. Small folio. 


321 NAPOLEON. 


- Aquatint by L. Ebner after a drawing by J. Guerin. 
d 7 4 Full length standing in the costume of Consul. Superb 

impression with the inscription, colored with the brush. 
Z me - With untrimmed margin (deckel edges). Folio. 


ONE OF THE RAREST PORTRAITS OF NAPOLEON. 


322 NAPOLEON. 


" Aquatint by Coqueret after a drawing by Hilaire le 
/ Dru. Full length standing. Fine impression with the 
inscription. With margin showing the plate-mark. 

Folio. 


323 ANOTHER IMPRESSION OF THE SAME. 
4 A later state; the plate has been reworked. Impression 


_ U/ with the inscription. With small margin lacking the 
hi plate-mark. 


324 NAPOLEON. 


_  Stipple and line-engraving by A. Le Grand after a 
9. painting by A. Appiani. Full length standing. Fine 
p . impression with the inscription. With margin lacking 
- the plate-mark. Foxed. Folio. 


325 NAPOLEON. 


Mezzotint by J. R. Smith after a painting by A. 
105 — Appiani. Full length standing. Superb impression 
with the inscription, printed in colors. With margin 

4 4h, showing the plate-mark. Folio. 


VERY SCARCE. 


326 NAPOLEON. 
Stipple and line-engraving by Mercoli Fils after a 
se. painting by Bacler d’Albe. Bust in oval. Fine impres- 
3Y sion with the inscription. With untrimmed margin 
(deckel edges). Folio. 
72 


NAPOLEON BONAPARTE—Continued. 


327 
66 — 


390 - 
4.¢%. 


332 


NAPOLEON. 


Mezzotint by William Dickinson after the painting by 
A. I. Gros. Full length standing. Very fine impres- 
sion with the inscription; two small indentations in the 
left lower corner. With untrimmed margin (deckel 
edges). Folio. 


NAPOLEON. 


Mezzotint by C. I. Schott after a painting by L. David. 
Bust. Very fine impression with the inscription. With 
margin showing the plate-mark at the top and sides, but 
lacking it at the bottom. Folio. 

VERY SCARCE. 


NAPOLEON. 


Aquatint by Ch. Turner after a painting by T. Phillips. 
Bust on octagonal background. Fine impression with 
the inscription. With margin showing the plate-mark. 
A tear in the lower margin carefully repaired. Small 
folio. : 


IL A TENU PAROLE. 


Ktching finished with the graver. Bust in oval held 
by two emblematic figures. Fine impression with the 
inscription. With margin showing the plate-mark. Folio. 


NAPOLEON. 


Mezzotint by Ch. Turner after a painting by I. J. 
Masquerier. Half length in rectangular border. Superb 
impression with the inscription, printed in colors, With 
margin trimmed to the plate-mark. Folio. 

RARE. 


NAPOLEON ACCOMPANIED BY GENERAL 
BERTHIER AT THE BATTLE OF MARENGO. 


@) 03” — Stipple by A. Cardon after a drawing by J. Boze. Fine 


64h, 


open letters proof. With margin, but lacking the plate- 
mark. Large folio. 


ORIGINAL DRAWING FOR THE ENGRAVING. 


Magnificent drawing in water-colors made for the en- 
craving. A tear in the center has been skilfully 
repaired. 


73 


NAPOLEON BONAPARTE—Continued. 


333 


335 
Bee 


336 
Lo 
yas 

337 


iyoey 


3. Fh. 


NAPOLEON. 


Line-engraving by J. L. Richomme. Half length. 
Very fine and brilliant proof before all letters on India 
paper. With very large margin. Folio. 


NAPOLEON. 


Stipple by L. C. Ruotte after a painting by R. Le Fevre. 
Half length. Very fine and brilliant impression with 
the inscription. With margin lacking the plate-mark. 
Small folio. 


NAPOLEON. 


Stipple by W. Nicholls. Bust. Very fine impression 
with the inscription. With margin showing the plate- 
mark. Small folio. 


NAPOLEON POINTING TO THE ‘‘CODE NAPO- 


LEON’’ AND JOSEPHINE. 


Line-engraving by F. A. David after the engraver’s 
own design. Full length standing. Very fine proof 
with the artist’s name only. With margin showing the 
plate-mark. 


NAPOLEON. 


Line-engraving by G. Longhi after the engraver’s own 
design. Bust in circle. Superb proof with the en- 
graver’s name only. With very large margin. Small 
folio. 

The engraving is called ‘‘ Napoleon with the Iron Crown.’’ 


338 NAPOLEON. 


ne 
[un 


Line-engraving by G. Longhi after the engraver’s own 
design. Bust in circle. Superb impression before the 
verses were replaced by the name and title of the per- 
sonage. With untrimmed margin (deckel edges). 
Small folio. 


ANOTHER IMPRESSION OF THE SAME. 


Superb impression of the first state with the name of 
Napoleon. With untrimmed margin (deckel edges). 
Small folio. (2) 


74 


-NAPOLEON BONAPARTE—Continued. 
339 NAPOLEON. 


oe 


ao 


Ce. 


Line-engraving by A. Tardieu after a drawing by I. 
Isabey, the ornaments by Malbeste and Dupréel after 
the drawing by Percier. Full length standing in 
coronation robes. Superb proof with the artists’ names 
in traced letters only, on India paper. With large 
margin trimmed to the plate-mark. Folio. 


340 NAPOLEON. 


{o~ 
xM- 


) 


Line-engraving by Cazenave after a drawing by 
Naudet. Bust in an oval frame surrounded by em- 
blematic figures and enclosed in rectangular border. 
Impression with the inscription. With large margin. 
Folio. 


341 NAPOLEON. 


ie 
Dm- 


Line-engraving by B. Tardieu after a painting by Louis 
David. Full length seated on the throne. Very fine 
and brilliant proof with the artists’ names and the 
vignette only. With margin trimmed to the plate- 
mark. Hlephant folio. 


342 NAPOLEON. 


AO — 
LTA. 


Stipple and line-engraving by Cazenave after the paint- 
ing by David. Half length. Superb procf before all 
letters, with large margin showing the plate-mark. | 
Elephant folio. 


343 NAPOLEON. 


a 


R F- 


344 


pie 


WAN. 


Line-engraving by J. F. Ribault after the drawings 
by I. Isabey and Percier. Full length standing in 
small costume. Superb proof with the artists’ names 
only traced with the needle; on loose India paper. 
With large margin. Folio. ) 


NAPOLEON. 


Stipple engraving by Bourgeois de la Richardiere after 
a drawing by A. Dumont. Half length. Magnificent 
impression with the inscription, printed in colors and 
touched up with the brush. With large margin. Folio. 


75 


NAPOLEON BONAPARTE—Continued. 


345 NAPOLEON. 
Stipple by Mécou after a painting by I. Isabey. Full 
Liye) _— length standing in front of the throne. Superb open 
letter proof. With untrimmed margin (deckel edges). 
Large folio. 
From the collection marked R. C. 


346 NAPOLEON. 
Stipple by Benoist after the engraver’s own design. 
3 6 — Half leneth. Superb impression with the inscription, 
4 F/y. printed in colors. With large margin. 4to. 


347 NAPOLEON. 


Stipple engraving by C. L. Lingée finished by Godefroy 
yo ~— after a drawing by I. Isabey. Full length standing. 
ADL Superb proof with the artists’ names and the publica- 
tion-line only. With margin trimmed to the plate- 

mark. Large folio. 


348 NAPOLEON. 
Stipple by L. de Soglio after a drawing by Bortignoni. 


50 Bust. Superb impression with the inscription, printed 
fh in colors. With untrimmed margin (deckel edges). 
Seta Large 4to. 


349 NAPOLEON. 


bees Stipple by Louis Rados after a drawing by J. B. Bosio. 
/ Full length standing. Very fine impression with the 
inscription. With large margin. Large folio. 


350 NAPOLEON. 


Stipple by Louis Rados after a drawing by J. B. Bosio. 

/ 0 — Full length standing. Fine impression with the 
inscription. With margin showing the plate-mark at 
the top and sides, but lacking it at the bottom. Large 
folio. 


351 HOMMAGE A L’EMPEREUR. 


Line-engraving by A. de Saint Aubin and Helman 

bt te after a drawing by C. Monnet. Bust in oval sur- 

rounded by emblematic figures. Fine impression of 

the first state, with the inscription, but before the 

Mary address and the dedication. With margin but lacking 
the plate-mark. Small folio. 


76 


NAPOLEON BONAPARTE—Continued. 


302 NAPOLEON. 


b- Mezzotint after David. Half length. Very fine im- 
ie £13. pression, the margin trimmed to the engraved border. 


3593 NAPOLEON. 


Line-engraving by Guillaume Morghen after a drawing 
7 eas by J. B. Wicar. Bust in circle. Very fine and brilliant 

proof with the artists’ names only. Large margin, 
Gp we but lacking the plate-mark. 


304 NAPOLEON. 


Bt Stipple by E. Mayer after a painting by J. B. Lampe. 
o ‘ Three-quarter length oval in rectangular border. Im- 
Jig pression with the inscription. With large margin. 


305 NAPOLEON. 


Stipple and line engraving by R. Cooper after the 
a MA be painting by L. David. Half length. Very fine and 


brilliant open letter proof on India paper. With large 
3 Zz / margin. Folio. 


356 NAPOLEON. 


_ Stipple by an unknown engraver, printed in Milan. 
AL Full length standing. Very fine impression with the 
inscription. With large margin. Large folio. 


307 NAPOLEON. 
Aquatint by Levachez after a painting by R. Le Févre. 
446 — Full length standing. Very fine impression with the 
Ae inscription, colored with the brush. With margin lack- 
4 ; A * ing the plate-mark. Large folio. 


A very scarce portrait printed during the ‘‘ Hundred Days’’ 
and distributed in England. Levachez, afraid of the return 
of the Bourbons, reversed his name in signing the plate. 


358 NAPOLEON. 
Line-engraving by J. V. Laugier after Louis David. 
i Full length standing. Superb proof before all letters. 
e, oe v,) With margin lacking the plate-mark. Large folio. 
anf 


309 NAPOLEON. 


Aquatint by F. Arnold after a drawing by H. Dahling. 
icy Full length standing. Impression with the inserip- 

tion, printed in colors and touched up with the brush. 
Z. ¥¢% With margin lacking the plate-mark. Small folio, 


717 


NAPOLEON BONAPARTE—Continued. 


860 NAPOLEON. 
5 a Mezzotint by S. W. Reynolds after a drawing by 


Z Charlet. Full length standing. Open letters proof. 
4 /. With very large margin. Folio. 


361 NAPOLEON. 


_ Iline-engraving by Prevost after David. On _ horse- 
/[A- back. Fine impression with the inscription, printed 
on India paper. With very large margin. Small folio. 


862 NAPOLEON AU MONT SAINT BERNARD. 
Pa Ce Line-engraving by Massard after a painting by David. 
3 7 —~ Superb proof before all letters, printed on India paper. 
With very large margin. Elephant folio. 


363 RENTREE DE NAPOLEON LE GRAND. 


Bah Stipple and line engraving by Mariage after the en- 

JiR) graver’s own drawing. On horseback surrounded by 

77; allegorical figures. Superb impression with the inserip- 

4 Fe - tion, printed in colors. With large margin. Large 
folio. 


364 NAPOLEON. 
Stipple and line engraving by J. J. F. Tassaert and 
J 23 “finished by Cazenave after a drawing by Naudet. On 
horseback. Fine impression with the inscription, 
A ft ho. printed in colors. With margin, but lacking the plate- 
s mark. Folio. 
VERY SCARCE, 


365 NAPOLEON. 

gO. Stipple engraving by Darcis after a painting by C. 
3 é Vernet. On horseback. Fine impression with the 
eke 


inscription. With margin trimmed to the plate-mark. 
Small folio. 


366 NAPOLEON. 


50 Line-engraving by F. A. David. On horseback. Very 
ome — fine proof with the artist’s name only. With margin 
e Lf trimmed to the plate-mark. Folio. 

367 


NAPOLEON. 


Be Stipple by Simon after a drawing by C. Vernet. On 
pe: horseback. Fine impression with the inscription. 
| With margin lacking the plate-mark. Yolio. 


78 


NAPOLEON BONAPARTE—Continued. 
368 NAPOLEON. 


oe Stipple by N. Schenker after a drawing by C. Vernet. 
/ On horseback. Very fine impression with the inserip- 


y fs tion, colored with the brush. With large margin. 
oe = small folio. 


369 NAPOLEON. 


Stipple and line engraving by Chataigner after the 
Vs —— engraver’s own drawing. On horseback. Very fine, 
brilliant impression in colors and touched up with the 
brush. With margin trimmed to the plate-mark. A 
small piece of the right sky had been torn out and is 
carefully reset. Small folio. 
VERY SCARCE. 


370 NAPOLEON. 


se Mezzotint by Rugendas after the engraving by 
Y Pa Chataigner. On horseback. Very fine impression with 

4 the inscription, colored with the brush. With margin 
4A. ‘ showing the plate-mark. Small folio. 


371 NAPOLEON. 
- Line-engraving by Charon after a drawing by Mollet. 
/2° — On horseback. Fine impression with the inscription, 


printed in colors. With margin trimmed to the plate- 
4 7p. mark. Small folio. 


372 ANOTHER IMPRESSION OF THE SAME. 


Hee Very fine, printed in black. With margin just show- 
FG - ing the plate-mark. Small folio. 


373 NAPOLEON. 


Aquatint by Jazet. On horseback. Impression with 
//$ — the inscription, printed in colors and touched up with 
the brush. With margin trimmed to the plate-mark. 

q Ff. Not an early impression. Large folio. 


374 NAPOLEON. 


Lithograph by G. Bodmer after the painting by H. 
{2 — Vernet. On horseback. Very fine impression with the 
inscription. With small margin. Large folio. 


79 


NAPOLEON BONAPARTE—Continued. 


375 


ev. 


376 


wy - 
4.F?- 


377 
[oe 


Rie 


NAPOLEON. 
Mezzotint by S. A. Edwards. Busts in clouds. Very 
fine impression with the inscription, printed on India 
paper and signed in pencil by the artist. With 
untrimmed margin. Folio. 
The first impression taken from the finished plate.—S. A. E. 


NAPOLEON A SAINTE HELENE. 

Aquatint by Jazet. Full length standing. Very fine 
and brilliant proof before all letters. With margin 
trimmed to the plate-mark. Large folio. 


NAPOLEON AND MARIE LOUISE. 

Mezzotint by Gio. Bigatti after the engraver’s own 
design. Three-quarter length. Very fine and brilliant 
impression with the inscription. With margin showing 
the plate-mark. Small folio. 


NAPOLEON ET SON FILS. 

Line-engraving by F. Weber after a painting by 
Steuben. Fine impression with the inscription, on 
plate paper. With large margin showing the plate- 
mark. Folio. 


PASSAGE DU PONT D’ARCOLE. 

Stipple and line-engraving by Fyain and Chapon- 
nier after a drawing by Lembert. Impression with 
the inscription. With large margin. Folio. 


BIVOUAC DE 8. M. L’EMPEREUR. 

Aquatint by Levachez after the artist’s own drawing. 
Fine impression with the inscription. With margin, 
but lacking the plate-mark. Small folio. (2) 


THE SITTING OF THE COUNCIL OF FIVE HUN- 
DRED AT ST. CLOUD. 

Stipple by F. Bartolozzi after a drawing by F. Vieira 

Portuensis. Superb impression with the inscription, 

printed in colors. With large margin. large folio. 


BONAPARTE DISSOLVING THE COUNCIL OF 
FIVE HUNDRED HELD AT ST. CLOUD, Nov. 
10th, 1799. 

Mezzotint published by D. Gally. Fine impression with 

the inscription. With margin showing the plate-mark. 


80 


NAPOLEON BONAPARTE—Continued. 


382 NAPOLEON AND HIS GENERALS. 


on Aquatint by W. Bromley after a painting by Le Gros. 
/ Very fine impression with the inscription. With large 
margin. Folio. 


3883 REVUE DU GAL. BONAPARTE P.ER. CONSUL. 
_,  Uine-engraving by Pauquet finished by J. Mécou after 
G a drawing by I. Isabey and Vernet. Very fine im- 
pression with the inscription. With large margin, but 
lacking the plate-mark. Elephant folio. 


384 ANOTHER IMPRESSION OF THE SAME. 


es Very fine impression with the inscription. With large 
g margin, but lacking the plate-mark. With Isabey’s 


o// ; stamp. Elephant folio. 


3889 BONAPARTE REVIEWING THE CONSULAR 
GUARDS. 
WOo0 Mezzotint by Charles Turner after a painting by I. J. 
Masquerier. Very fine and brilliant impression with 
4 Ff. the inscription. With margin, but lacking the plate- 
pee mark. Elephant folio. 


386 ALLEGORIE SUR LA PAIX. 


Line-engraving by J. L. Julien. Open letter proof. 
With margin trimmed closely to the plate-mark. Folio. 


phe LES EFFORTS ET L’IMPUISSANCE DE 
L’ATHEISME. 
Line-engraving. Impression with the _ inscription. 
With margin, but lacking the plate-mark. Folio. (2) 


387 BONAPARTE DONNANT LA PAIX A L’EUROPE. 

ee Line-engraving by F. A. David after a drawing by 

/ Monnet. Fine impression with the inscription. With 
fhe large margin. Slightly foxed. Large folio. 


388 LE CONGRES DE VIENNE. 
_ Stipple and line engraving by J. Godefroy after a 
} b painting by I. Isabey. Very fine and brilliant im- 
pression with the inscription. With untrimmed mar- 
gin (deckel edges). Elephant folio. Also the key. (2) 


81 


d 


NAPOLEON BONAPARTE—Continued. 
889 PACE CONCLUSA FRA IL GENUE. IN CAPO 


eee 


BONAPARTE, ED I PLENIP8I. DI 8.8. PIO VL. 

Seguita a Tolentino il di 19 Febrjo. 1797. 
Line-engraving by A. Poggioli after a drawing by G. 
Beys. Impression with the inscription. With margin 
showing the plate-mark. Foxed. Folio. 


ORDINE DEL DIRETTORIO ESECUTIVO DI 
PARIGI PRESENTATO A SS. PIO VI. Dal 
general Frances doppo l’invasione delle truppe in 
Roma. 


In the same state and condition as the foregoing one. 
Folio. (2) 


LE TRIOMPHE DE NAPOLEON. 
Line-engraving by F. A. David after Monnet. Very 


fine proof before all letters. With margin, but lacking 
the plate-mark. Folio. 


LE TRIOMPHE DE LA REPUBLIQUE. 


In the same state and condition as the foregoing, but 
with margin showing the plate-mark. Folio. (2) 


RAGIONE DE STATO. (Napoléon annoncant a 
Joséphine son divorce.) 
Etching by A. M. Gili after the painting by F. Didioni. 
Very fine proof before all letters, signed in pencil by 
the engraver. With a dedication written in ink by the 
painter. With very large margin. Folio. 


SACRE DE NAPOLEON: LES ONCTIONS. 
Line-engraving by D’Elvaux after a drawing by I. 
Isabey. Superb proof with the artists’ names only in 
traced letters. With margin, but lacking the plate- 
mark. Folio. 


NAPOLEON. 


The Foundation of the Légion d’Honneur. Line- 
engraving by F. A. David after his own design. Very 
fine proof with the artist’s name only. With large 
margin. Folio. 


82 


NAPOLEON II (Roi de Rome). 
1811-1832. 


Only son of Napoleon and Marie Louise; born in Paris and 
died in Schoenbrunn (Austria). 


394 ROI DE ROME. 


Cp Stipple published by Boulard. Bust in circular border 

on a base. Very fine and brilliant impression with the 

4 ¢- 3 inscription, printed in colors. With large margin. 
rete Folio. 


395 ROI DE ROME. 


ee Stipple by Benoist Jeune after a drawing by J. 
a Goubaud. Full length in his crib. Superb proof with 
the artists’ names only. With untrimmed margin 

Sons (deckel edges). Folio. 


With the painter’s stamp. 


396 ROI DE ROME. 


Line-engraing by A. Lefebre after a painting by P. P. 
Sas Prud’hon. Full length sleeping on the grass. Superb 

proof before all letters, printed on India paper. With 
6 71 /? large margin. Folio. 


397 THE FIRST HOBBY HORSE. 


Stipple by J. Conde after the engraver’s own drawing. 
5 3” — Very fine and brilliant impression with the inscription. 
With margin trimmed to the engraved border at the 
top and sides, at the bottom the publication-line is lack- 
[bw ing: Folio. 


S. M. LE ROI DE ROME. 


Line-engraving by A. Desnoyers after a painting by 
F. Gérard. Oval bust in rectangular border. Fine 
impression with the inscription. With large margin. 
Large 4to. (2) 


398 ROI DE ROME. 


~~ Aquatint by Jazet. On horseback. Very fine proof 
5 before all letters. With margin trimmed to the plate- 
mark at the top and sides, but showing it at the bottom. 


¢ th. Folio. 


83 


JEROME BONAPARTE (Roi de Westphalie). 
. 1784-1860. 


Brother of Napoleon I. Married in 1803 Miss Paterson of Baltimore. 
King of Westphalia and afterwards Prince of Montfort. 


399 JEROME BONAPARTE. 


50 Stipple engraving by Louis Rados after a drawing by 
7h ~— J. B. Bosio. Full length standing. Very fine impres- 
/ sion with the inscription. With margin showing the 

plate-mark. Large folio. 


400 JEROME BONAPARTE. 


7 Stipple and line-engraving by J. L. Potrelle et M. 
4 —  Gudin after a drawing by Madame Kinson. Full length 
standing. Fine impression with the inscription. With 
small margin lacking the plate-mark and most of the 
inscription space, which shows only the artists’ names. 

Large folio. 


401 JEROME BONAPARTE. 


Line-engraving by J. G. Muller and Frederic Muller 
after a drawing by M¢e. Kinson. Oval bust in rect- 
angular border. Very fine and brilliant open letters 
Qyedlre proof. With large margin. Folio. 


ioe 


402 JEROME BONAPARTE. 
Stipple engraving by L. C. Ruotte after a painting by 
3 rik Mée. Kinson. Half length. Fine impression with the 


guider inscription. With small margin lacking the plate-mark. 
Folio. 


JOSEPH BONAPARTE. 
1768-1844. 


Eldest brother of Napoleon I. He married in 1777 the sister-in-law 
of Bernadotte. After the downfall of Napoleon he came to the United 
States under the name of Comte de Survilliers and lived here from 
1815 to 1832. 


403 JOSEPH BONAPARTE. 


_-  Stipple engraving by L. C. Ruotte after a painting by 
o R. Lefevre. Half length. Very fine and brilliant 1m- 
pression with the inscription. With untrimmed margin 

WY? \).  (deckel edges). Folio. 


84 


404 JOSEPH BONAPARTE. 


Bs: Stipple and line engraving by A. Verico after a draw- 

8 ing by Vicart. Oval bust in rectangular border, Fine 

R ve Impression with the inscription. With untrimmed 
margin (deckel edges). Folio. 


405 JOSEPH BONAPARTE. 


Stipple engraving by Louis Rados after a drawing by 

Ae J. B. Bosio. Full length standing. Very fine and 

. brilliant impression with the inscription, printed in 

G ; 1 2 colors. With margin, but lacking the plate-mark. 
Large folio. 


406 JOSEPH BONAPARTE. 
Mezzotint by S. W. Reynolds after a painting by J. 
we —  Goubaud. Three-quarter length sitting. Impression 
with the inscription. With margin showing the plate- 
mark. Folio. 


LOUIS NAPOLEON (Bonaparte). 
1778-1846. 
Brother of Napoleon. Married Hortense, daughter of Josephine. 


Became King of Holland, abdicated in 1814 and retired to Florence 
under the name of Comte de Saint Leu. 


407 LOUIS NAPOLEON. 
5o Stipple engraving by Chaponier after a drawing by 
nae Swebach. Three-quarter length. Superb impression 
hb with the inscription, printed in colors.. With margin 
. . trimmed to the plate-mark. 4to. 


408 LOUIS NAPOLEON. 


| Aquatint by L. Carduin after a drawing by C. 
ree Willemin. On horseback. Very fine impression with 
the inscription. With large margin. Folio. 


52 
of 


409 LOUIS NAPOLEON. 
Stipple by L. C. Ruotte after the drawing by Gregorius. 
/4 — Half length. Superb proof with the artists’ names 
only. With untrimmed margin (deckel edges). Folio. 


410 LOUIS NAPOLEON. 
Stipple by Louis Rados after a drawing by G. B. Bosio. 
40 Full length standing. Superb proof with the artists’ 
/Z°— names traced with the needle. With small margin at 
the sides and bottom, at the top cut closely to the 
engraved surface and remargined. Two tears repaired 
at the top. Large folio. 
85 


NECKER (Jacques). 
1732-1804. 
French diplomatist and financier. Was a witness of the Revolution and 
retired to Switzerland in 1790. 
411 NECKER. 


4D Etching finished with the graver by A. de Saint Aubin 
sare after a painting by J. S. Duplessis. Oval bust in rect- 
: angular border. Fine impression with the inscription. 
Wues With small margin lacking the plate-mark. Small folio. 


412 NECKER. 
Ktching finished with the graver by Dembrun after 
) a Queverdo and Duval. Oval bust in rectangular orna- 


: mental border. Fine impression with the inscription. 
pur With margin showing the plate-mark. Small folio. 


413 NECKER. 
oe Stipple and line engraving published by the brothers 
| hae Klauber after a painting by Duplessis. Oval bust in 


W23 rectangular border. Fine impression with the inscrip- 
la tion. With very large margin. Large 4to. 


414 LE RAPPEL DE MONSIEUR NECKER. 


os Etching finished with the graver by G. S. Gaucher after 
~ a drawing by I. H. E. Very fine and brilliant impres- 
aa sion with the inscription. With large margin. Folio. 


NELSON (Horatio). 
1758-1805. 


The greatest English admiral. Fought against Napoleon and died on 
board the ‘‘ Victory’’ at the battle of Trafalgar. 


415 NELSON. 


Mezzotint by W. Say after a painting by Sir W. 
3/—  Beechey. Three-quarter length. Very fine and bril- 

lant impression with the inscription. With margin 
pwr W showing the plate-mark. Slightly creased. Folio. 


416 THE DEATH OF NELSON. 


Line-engraving. Superb proof before all letters. With. 
re — margin showing the plate-mark. Large folio. 


&6 


NEY (Michel). 
1769-1815. 
Marshal of the army of Napoleon. He commanded the rear-guard in 
the retreat from Moscow; was made a peer after the restoration in 1814, 


and commanded the Old Guard at Waterloo. He was condemned by the 
House of Peers as a traitor and shot. 


417 NEY. 
a Line-engraving by A. Tardieu after a painting by F. 
ol Nay Gérard. Bust. Very fine impression with the inscrip- 


tion, but before the date and the publication-line. With 
large margin. Small folio. 


NICOLAS I. 
1796-1855. 
Czar of Russia. Fought with his brother Alexander against Napoleon. 


418 NICOLAS I. 


Line-engraving by I. H. Robinson after a painting by 

g, _ G. Dawe. Three-quarter length. Very fine open letter 
proof printed on India paper. With margin lacking 
the plate-mark. A water-stain in the right lower corner. 
Folio. 


MADEMOISELLE LEGUAY D’OLIVA. 


French actress who impersonated Marie Antoinette in the 
celebrated case of the Necklace. 


419 Mile. D’OLIVA. 
ge Line-engraving by Legrand after a drawing by Pujos. 
a ee Oval bust in rectangular border. Impression with the 
‘ inscription. With margin but lacking the plate-mark 

/ lg on three sides. 


420 Mule. D’OLIVA. 

Stipple engraving. Bust in oval. Good impression 
£0 with the inscription. With large margin. 4to. 
ANOTHER PORTRAIT OF THE SAME. 

Aquatint. Good impression with the inscription, colored 
pe a ; with the brush. With margin, but lacking the plate- 
: mark, 

ANOTHER PORTRAIT OF THE SAME. 

Stipple by F. Bartolozzi. Fine impression, printed in 

red. The margin trimmed to the engraved border. (3) 


87 


WILLIAM II as Prince of Orange. 
1792-1849. 
King of Holland. Fought with Wellington against Napoleon. 


421 PRINCE OF ORANGE. 
Line-engraving by F. Lignon after a painting by J. 
/{—~  Odevaere. Full length standing. Very fine and bril- 
liant impression with the inscription. With margin, 
but lacking the plate-mark. Large folio. 


422 PRINCE OF ORANGE. 


Mezzotint by Ch. Turner after a painting by I. S. 

a Ape Copeley. Half length. Very fine and brilliant impres- 

sion with the inscription. With margin showing the 

y, Lf, plate-mark at the top and sides, but lacking it at the 
"'." "> bottom. Folio. 


OUDINOT (Charles Nicolas, Duc de Reggio). . 
1767-1847. 


French general, called by his friends ‘‘Le Bayard de l’armée.’’ He 
distinguished himself during the German and Russian wars. 


423 OUDINOT. 

Line-engraving by Forster after a painting by R. Le 

Févre. Oval bust in rectangular border. Fine impres- 
| sion with the name of the personage in open letters. 

pe With margin lacking the plate-mark. Folio. 


Le 


DON MANUEL DE GODOY (Prince de la Paix). 
1767-1851. 


Spanish diplomatist. At first against France but in 1801 made a 
treaty with Louis Napoleon. After the revolution of 1811 he followed 
Charles IV in his exile to Rome. 


424 PAIX. 
Line-engraving by J. B. Fosseyeux after a painting by 
Steven. Full length standing. Fine impression with 
J ~ the inscription. With very large margin. Folio. 


4 tf, ANOTHER PORTRAIT OF THE SAME. 


Line-engraving by T. L. Enguidanos after a drawing 
by Rivelles. On horseback. Very fine and brilliant 
impression with the inscription. With small margin 
lacking the plate-mark. Large folio. (2) 


88 


PAOLI (Pascal). 
1726-1807. 
Celebrated Corsican, member of the French Convention. Went to Eng- 
land to establish the freedom of Corsica, He died in London. 
425 PAOLI. 


46 Etching finished with the graver by B. L. Henriquez 
/ = after a painting by Min. Drelling. Bust in border. 

Very fine impression with the inscription. With margin 
Hg showing the plate-mark. Folio. 


426 PAOLI. 


Mezzotint by R. Houston after a painting by P. 
5 g~ — Gherardi. Full length standing. Fine impression with 
the inscription. With large margin showing the plate- 


cs Ppp. mark. Folio. 


PETION DE VILLENEUVE (Jerome). 
1753-1793. 
French lawyer and member of the Convention. Was sent to Varennes: 
to bring back the King. He committed suicide. 
427 PETION. 


50 Aquatint by Le Vachez fils after a drawing by Laplace. 
oe Oval bust in rectangular border. Magnificent impres- 
sion with the inscription printed in colors. With 

(jet large margin showing the register-mark. Folio. 


A superb specimen of color printing. 


PETIT (Antoine). 
1718-1794. 


French surgeon who took care of Louis XVI. He was a 
member of the Academy. 


428 PETIT. 
eon Etching finished with the graver by C. Macret after 
Ht the engraver’s own drawing. Oval bust in rectangular 


R XL frame. Fine impression with the inscription. With 
‘is large margin. 4to. 


89 


PICHEGRU (Charles). 
1761-1804. 


French general who took part in the campaign of Holland. After- 
wards he plotted with G. Cadoudal against Napoleon; was arrested and 
strangled himself to death. 


429 PICHEGRU. 


3 2 Mezzotinted aquatint by Coqueret after a drawing by 
; Hilaire le Dru. Full length standing. Fine impres- 
f{~ sion with the inscription. With margin showing the 
dupe 7 
plate-mark. Large folio. 


430 PICHEGRU. 


, 7  Aquatint published by I.’ Decker after a drawing by 

PF Hilaire le Dru. Full length standing. Very fine im- 

WA | pression with the inscription, printed in bistre. With 
. small margin lacking the plate-mark. Small folio. 


431 PICHEGRU. 


Stipple and line engraving by an unknown engraver. 
: Bust in oval. Fine impression with the inscription. 
py With margin showing the plate-mark. 4to. 


1 eh 


432 PICHEGRU. 


Mezzotint by C. H. Hodges after the engraver’s own 
{0 ~ drawing. Oval bust in rectangular border. Very fine 
pry and brilliant impression with the inscription. With 

2 fd - margin showing the plate-mark. Folio. 


PIERRE LEOPOLD (Ferdinand ITI). 
1769-1804. 


Grand Duke of Tuscany and Archduke of Austria, younger son of the 
Emperor Leopold II, whom he succeeded as Grand Duke in 1790. He 
reigned until 1799 and from 1814 to 1824. Up to 1813 he was an ally 
‘of Napoleon. 


433 PIERRE LEOPOLD. 


_-  Line-engraving by C. Faucci after a drawing by G. Mac- 
Mie herson. Oval bust in rectangular ornamental border. _ 
N ° e e . . . 
x Very fine and brilliant impression. With large margin. . 
VO ab ligg 
90 


PLATOFF (Count). 
1765-1818. 


Hetman of the Cossacks. Fought against Napoleon in the retreat of 


Moscow and at the battle of Leipzic. 


434 PLATOFF. 


pe 


Stipple by J. Godby after a painting by Orslofski. On 
horseback. Very fine impression with the inscription. 
With small margin lacking the plate-mark. Folio. 


POISSON (Jeanne Antoinette, Marquise de Pompadour). 


1721-1764. 


The chief mistress of Louis XV. While she developed art and literature 


435 


oir 
nt 


436. 


fy & 
itp, 


in France, she interfered most disastrously in foreign affairs. 


POMPADOUR. 


Mezzotint by James Watson after a painting by Fran- 
cois Boucher. Circular bust in rectangular border. 
Superb proof with the artists’ names only. With small 
margin showing the plate-mark. Small folio. 


ANOTHER PORTRAIT OF THE SAME. 


Reversed reduction of the above portrait. Mezzotint, 
engraver unknown. Impression with the inscription. 
With very large margin. Small 4to. (2) 


RAPP (Jean). 
1773-1821. 


Celebrated French general who was praised by Napoleon at 
Austerlitz, Jena, and Dantzig. 


RAPP. 


Aquatint by Charon after a painting by Aubry. Full 
length standing. Very fine and brilliant impression 
with the inscription, printed in colors and touched up 
with the brush. With small margin showing the plate- 
mark. Folio. 


91 


FRANCOISE MARIE ANTOINETTE SAUCEROTTE, 
(Mademoiselle de Raucourt). 


1750-1815. 


French actress who was imprisoned during the Revolution. She had the 
direction of the French theatres during the Empire. 


4387 RAUCOURT. 


Le Stipple engraving by L. C. Ruotte after a painting by 

H Gros. Half length. Very fine and brilliant impres- 

we f sion with the inscription. With untrimmed margin 
{. 41>: (deckel edges). Folio. 


REGNIER (Claude Antoine, Duc de Massa). 
1746-1814. 


French lawyer and diplomatist. As minister of justice he directed the 
trial of Cadoudal and Pichegru. 


438 REGNIER. 
50 Stipple engraving by Elizabeth G. Herhan. After a 
/ rat drawing by J. Guerin. Bust in oval. Fine impression 
with the inscription. With small margin showing the 
gp plate-mark. Folio. 


REVOLUTION. 


439 LE CAUCHEMAR DE L’ARISTOCRATIE. LE 
GEOVA DES FRANCAIS. 
Vignettes. Stipples by Provost. Impressions with the 


= Ay is inscriptions printed in colors. With margins lacking 
Doe the plate-marks. 8vo. 


MENT... 
Stipple by la Citoyenne Montalant after a drawing by 
Charpentier. Impression with the inscription, printed 
in colors. With margin lacking the plate-mark. 


4 4 h TOUS LES HOMMES SONT APPELLES EGALLE- 


LE BOUCLIER NATIONAL. 


Aquatint by Villeneuve. Impression with the inscrip- 
tion and small margin showing the plate-mark at the 
sides only. 4to. (4) 


92 


440 


vag 


he 


442 


© a 


Wf, 


SERMENT DU JEU DE PAUME A VERSAILLES 
LE 20 JUIN 1789. 


Engraving by Berthault after Prieur. Impression with 
the inscription. With large margin. Small folio. 


ANOTHER ENGRAVING AFTER THE SAME 
SUBJECT. 


Etching by Guerin after Moreau le Jeune. Impression 
with the inscription. With small margin lacking the 
plate-mark. Inlaid. 12mo. 


SOIREE DU 30 JUIN 1789. 


Aquatint ascribed to J. F. Janinet. Impression with 
the inscription, colored with the brush. With margin 
showing the plate-mark. Small folio. (3) 


SERMENT DU JEU PAUME A VERSAILLES LE 
20 JUIN 1789. 

Line-engraving by Bertault after a drawing by Prieur. 

Impression with the inscription. With large margin. 

Small folio. | : 


: _ VUE DU CHAMP DE MARS LE 12 JUILLET 1789. 


Aquatint ascribed to Guyot, published by Basset. Im- 
pression with the inscription colored with the brush. 
Torn in two and very skilfully repaired. Small folio. (2) 


TAKING OF THE BASTILLE. 

Stipple by W. Nutter after a painting by H. Singleton. 
Very fine proof with the artists’ names and the publica- 
tion line only in traced letters. With margin showing 
the plate-mark. A couple of tears in the inscription 
space repaired. Large folio. 


PRISE DE LA BASTILLE. 

Etching finished with the graver by Helman after a 
drawing by C. Monnet. Fine impression with the in- 
scription. With very large margin. Folio. 


LE IX FLOREAL AN VII. (The assassination of the 
French envoys to the congress of Rastatt. 
Etching finished with the graver by Helman after a 
drawing by C. Monnet. Fine impression with the in- 
seription. With small margin lacking the plate-mark. 
Folio. (3) 
93 


443 LE 31 MAY 1793. 
Stipple by J. J. F. Tassaert after a drawing by F. J. 
Harriet. Fine impression with the inscription, colored 
In — with the brush. With small margin lacking the plate- 
# mark. Large folio. 


FETE DE LA LIBERTE. 
Line-engraving by R. Vinkeles and D. Vrydag after a 
drawing by J. Kuyper. Fine impression with the in- 
scription. With untrimmed margin (deckel edges). 
Folio. (2) 


ARMAND EMMANUEL DU PLESSIS, 
(Duc de Richelieu). 
1766-1822. 
Emigrated from France about 1789 and was in the Russian service 
during the Revolutionary and Napoleonic periods and fought against 


Napoleon. He returned to France in 1814, became premier, and signed 
the treaty with the Allies in 1815. 


444 RICHELIEU. 

Line-engraving by Vangelisti after a painting by Gault 
gh vers de Saint Germain. Full length standing. Very fine 
impression with the inscription. With large margin. 
ep eo Large folio. 


LOUIS RENE EDOUARD, Cardinal de Rohan. 
1734-1803. 


Ambassador of France to the Court of Vienna. Was infatuated with 
Marie Antoinette and concerned in the ‘‘Necklace’’ affair. He died 
in exile at Ettenheim. 


445 CARDINAL ROHAN. 


Etching finished with the graver by Voyé le Jeune 
after the engraver’s own drawing. Oval bust in rec- 
tangular border. Fine early impression before the 
change in the inscription. With margin showing the 
plate-mark. Small folio. 


Se 


RF. 


ANOTHER PORTRAIT OF THE SAME. 


Aquatint ascribed to J. F. Janinet. Impression with 
the inscription, colored with the brush. With large 
margin. 4to. (2) 

94 


ROLAND (Manon Jeanne Philipon, Madame). 
1754-1793- 
The wife of Roland de la Platiére, a famous adherent of the Revolu- 


tion. Her salon in Paris was the headquarters of the Republicans and 
Girondists, 1791-93. She was arrested and guillotined. 


446 ROLAND. 
Line-engraving by an unknown engraver. Bust in oval. 
Impression with the inscription. With small margin 
fo~ lacking the plate-mark. 8vo. 


be - ANOTHER PORTRAIT OF THE SAME. 
. Aquatint by Chrétien after a drawing by Fouquet. 
Bust in circle. Impression with the inscription. With 
margin showing the plate-mark. 12mo. (2) 


ROUSSEAU (Jean Jacques). 
1712-1778. 
French writer and philosopher. One of the precursors of the Revolu- 


tion. The Convention in 1794 decided to have his body removed to the 
Pantheon. 


447 AUX MANES DE JEAN JACQUES ROUSSEAU. 


Etching finished with the graver by P. Maleuvre after 

“ee a painting by Paul. Subscription proof. Very fine 

¢ ph impression with the inscription. With margin showing 
4. fe > the plate-mark. A small tear repaired. Folio. 


448 ROUSSEAU. 


Etching finished with the graver by Ingouf le Jeune 

eee after the bust. Oval bust in rectangular border. Very 

. fine impression with the inscription. With small mar- 
fk gin showing the plate-mark. 4to. 


449 ROUSSEAU. 


va Mezzotint by C. Corbutt after a painting by A. Ram- 
[0 say. Half length. Fine impression with the inscrip- 
pw. tion. With margin showing the plate-mark. Folio. 


450 ROUSSEAU. 


Lhine-engraving by J. E. Nochez after a painting by 
i A. Ramsay. Half length. Very fine impression with 
_ the inscription, the name of the personage in open 
ie With small margin showing the plate-mark. 

olio. 


95 


oT ee 


SABRAN (Madame la Marquise de). 


Wife of Maxime de Sabran, member of the Convention. 


451 SABRAN. 
bs Stipple engraving by D. Berger after a painting by 
13 Mme. Vigée Le Brun. Bust in oval. Very fine and 
brilliant impression with the inscription. With large 
margin. Folio. 


SAINT GEORGE (Chevalier de). 
1745-1801. 


Fencing master. He went to London and became famous for his fencing 
bout with Le Chevalier d’Eon. 


452 SAINT GEORGE. 


Mezzotint by W. Ward after a painting by M. Brown. 
y — Half length. Impression with the inscription. With 
Aus margin showing the plate-mark. Folio. 


SAINT GERMAIN (Comte de). 
?-1784. 


Famous astrologer who was born in Germany and went to 
France in 1740. 


453 SAINT GERMAIN. 
Etching finished with the graver by N. Thomas after 
/ i = the engraver’s own drawing. Half length in border. 
Very fine proof with the inscription on the tablet but 
ae va before the dedication in the lower margin. With mar- 
gin, but lacking the plate-mark. Folio. 


SAINT MEMIN (Charles Balthazar Julienne Fevrel de). 


Painter who emigrated to America. Returned afterwards to France, 
where he became Director of the Musée de Dyon. 


454 SAINT MEMIN. 
Mezzotint probably by Saint Memin himself. Bust in 
| Ks eae circle. Superb proof before all letters. With large 


margin. 12mo. 
RF. he 


SEZE (Raymond, Comte de). 
1748-1828. 


French lawyer who defended Louis XVI before the Convention. 


455 
vay 


a 


MY - 


English admiral. 
escape from the Temple in 1797 is as famous as that of Latude. 


456 
Eber: 


457 


hw &. 


SEZE. 


Lithograph by A. Lecomte after a painting by G. 
Trioson. Three-quarter length sitting at a table. Im- 


pression with the inscription. With large margin. 
Folio. 


SMITH (William Sidney). 
1764-1840. 
Defended Saint Jean d’Acre against Napoleon. His 


SMITH. 


Mezzotint by W. Say after a painting by R. Ker Porter. 
Full length standing. Impression with the inscription, 
colored with the brush. The margin trimmed to the 
engraved surface at the top and sides, at the bottom 
just below the publication-line. Large folio. 


SMITH. 


Stipple by A. Cardon and J. Mitan after a painting 
by R. Ker Porter. Half length with a view of the 
defense of Saint Jean D’Acre below. Fine impression 
with the inscription. With margin trimmed almost to 
the engraved border. Folio. 


DEFENCE OF THE BREACH AT ST. JEAN 
D’ACRE BY SIR SIDNEY SMITH. 
Stipple by A. Fogg after a painting by W. Hamilton. 
Magnificent impression with the inscription, printed in 
eolors. With very large margin. Large folio. 


SOUVAROFF (Count Alexander). 
1729-1800. 
A celebrated Russian field-marshal of Swedish descent 
who fought against Napoleon. 


SOUVAROFFE. 


Mezzotint by V. Green after a drawing made by Lieu- 
tenant Fries. Oval bust in rectangular border. Mag- 
nificent impression with the inscription, printed in 
colors. With very large margin. Folio. 


SOUVAROFF. 


Mezzotint by Hodges after a painting by G. J. Kali- 
chew. Half length in border. Superb proof with the 
name of the personage in open letters. With very large 


margin. Folio. 
97 


ANNE LOUISE GERMAINE NECKER a 
(Baronne de Stael Holstein). 


1766-1817. 


Celebrated writer, daughter of Necker. She was disgraced by 
Napoleon and sent into exile. 


461 MME. DE STARBL. 


Stipple engraving by J. Godly after a drawing by F. 
ae Rehberg. Oval bust in rectangular border. Fine open- 
letter proof. With margin lacking the plate-mark. 


f 4 fy. Large 4to. 
t ANOTHER PORTRAIT OF THE SAME. 


Stipple and line engraving by P. L. Bouvier after the 
engraver’s own drawing. Bust in circle. Fine im- 
pression with the inscription. With large margin. 
Large 4to. (2) 


462 MME. DE STAEL. 


Line-engraving by Laugier after a painting by F. 
Es — Gérard. Three-quarters length standing. Very fine 

impression with the inscription. With margin lack- 
pw - ing the plate-mark. Small folio. 


TALLEYRAND-PERIGORD (Charles Maurice, 
Prince de). 


1758-1838. 
Celebrated French diplomatist. Ambassador to the Court of St. James’s. 


463 TALLEYRAND. 


h — Mezzotint by T. Hodgetts after a painting by Ary 
Scheffer. Three-quarter length standing. Fine open- 
(L2 vt letter proof. With large margin. Folio. 


464 TALLEYRAND. 


Line-engraving by A. B. Desnoyers after a painting 
/ - by F. Gérard. Full length. sitting at his table. Very 
4 fine open-letter proof, with the engraver’s stamp of the 
two antique heads. With margin, but lacking the 
plate-mark. Slightly foxed. Folio. 


98 


DOROTEE DE COURLANDE (Duchesse de Dino, 
Princesse de Talleyrand-Perigord et de Benevent). 
1792-1862. 


Wife of M. ©. de Talleyrand. 


465 DUCHESSE DE DINO. 
Fad Mezzotint by W. Wickinson after a painting by F. 
wed _— Gérard. Full length standing. Very fine proof before 
all letters. With margin showing the plate-mark at 
7 4/ top and sides, but lacking it at the bottom. Large folio. 


466 DUCHESSE DE DINO. 
2- Stipple engraving by Mécou after a miniature by I. 
Isabey. Bust in oval. Superb proof before all letters. 


OW f- - With large margin. 4to. 


TALMA (Francois Joseph). 
1763-1826. 


French actor and favorite of Napoleon. 


467 TALMA. 
0 Line-engraving by Aubert after a drawing by Hollier. 
cs sei, Oval bust in rectangular border. Very fine and bril- 
lant impression with the inscription. With large mar- 
gin. Folio. 


468 TALMA. 
ae Line-engraving by Laugier after F. Gérard. Half 
4 length in border. Superb proof before all letters, but 
/ with the vignette. With untrimmed margin (deckel 
Lung edges). Folio. 


469 TALMA. 
: Stipple and line engraving by Pft Augrand after a 
? oa painting by Muneret. Oval bust in rectangular border. 
Very fine proof before the name of the personage. 
With margin, but lacking the plate-mark. Large 4to. 


ANOTHER PORTRAIT OF THE SAME. 
Line-engraving by F, Lignon after a painting by Picot. 
Half length in border. Very fine proof with the artists’ 
names and the publication-line only in traced letters. 
With untrimmed margin (deckel edges). Small folio. 
(2) 

99 


LOUISE JULIE CAREAU (Madame Talma). 
1756-1805. 
French dancer and first wife of Talma, who divorced her in 1801. 
The salon of Mme. Talma was one of the most intellectual of the 
Consulate. 


470 MME. TALMA. 
Stipple by Mécou after a miniature by I. Isabey. Bust 
lo — in oval. Superb proof before all letters, printed on 
4 ¢ fa, India paper. With very large margin. 4to. 


TURGOT (Anne Robert Jacques, Baron de 1l’Aulne). 
1727-1781. 
Celebrated French minister and economist. Disgraced by 
Louis XVI. 
471 TURGOT. 
Etching finished with the graver by Henriquez after a 
bo — drawing by Boze. Oval bust in rectangular border. 
Very fine and brilliant proof before all letters. With 
margin showing the plate-mark. Folio. 


THEROIGNE DE MERICOURT (Anne Joseph). 


1759-1817. 
_ Born in Liége. The Amazon of the French Revolution. 
She died insane at the Salpetriére. 


472 THEROIGNE. 
Etching and aquatint by Chretien after a drawing by 
Nhe Fouquet. Bust in circle. Fine impression with the in- 
scription. With margin trimmed nearly to the engraved 
surface, leaving only enough space to show the inscrip- 


[temo] tion. 
From the J. Soulavie Collection. 


VERNET (Jean Emile Horace), 
1789-1863. 
French painter. Son of Carle Vernet. Military painter of the Empire. 


473 L’ATELIER D’HORACE VERNET. 

Aquatint by Jazet after a painting by H. Vernet. Very 
fine proof before the title, but with the artists’ names 

[ O ~~ and the publication-line. With margin showing the 
plate-mark at top and sides, at the bottom it is trimmed 
closely to it. The right margin torn and repairéd. 
Elephant folio. 

100 


VICTOR EMMANUEL I (Roi de Sardaigne). 
1759-1824. 


Lost his kingdom in 1796, but regained it at the Congress of Vienna 
in 1814, He resigned in 1821. 


474 VICTOR EMMANUEL OF SARDAIGNE. 
Line-engraving by F. Anderloni after a drawing by 
g- A. Boucheron. Oval bust in rectangular border with 
a vignette below. Very fine and brilliant proof before 
the title and the dedication, but with the artists’ names. 
With margin lacking the plate-mark. Folio. 


VOLTAIRE (Francois Marie Arouet de). 
1694-1778. 
French writer who was one of the precursors of the French Revolution. 


475 VOLTAIRE. 
fo Line-engraving by an unknown engraver. Half length 
Ay et sitting at a table. Very fine impression with the in- 
scription. With large margin on which an ornamental 
border is pasted. Folio. 
OF THE GREATEST RARITY. 


476 CHAMBRE DU COEUR DE VOLTAIRE. 
Etching finished with the graver by Née after a draw- 
ing by Duché. Very fine proof before all letters, but 
iS with the artists’ names. With margin showing the 
plate-mark. Folio. 


On the wall of the room are forty portraits, including one of 
Franklin. 


WELLESLEY (Arthur Colley, Duke of Wellington). 
1769-1852. 
The famous Iron Duke. Fought against Napoleon and defeated 
him at Waterloo. 
477 WELLINGTON. 


Aquatint by G. Maile and D. Havell after a painting by 

= J. M. Wright. On horseback. Fine impression with 

fee the inscription, colored with the brush. With margin 
but lacking the plate-mark. Folio. 


101 


478 WELLINGTON. 
Aquatint and etching engraved by A. Aglio, H. S. 
b tt Minasi and Stadler after a bust by Turnerelli. On 
horseback. Very fine and brilliant impression with the 
4 tf. inscription, colored with the brush. With very large 
ae margin. Folio. 


479 WELLINGTON. 


Mezzotint by H. Cousin after a painting by J. Lucas. 
0 Full length standing. Fine open letter proof. With 
large margin. Browned. Elephant folio. 


-“ WILHELM, KRONPRINZ VON WURTTEMBERG. 
1781-1864. 


Son of Frederick I. Became King in 1816. Brother-in-law of Jerome 
Bonaparte. Fought with the Allies against Napoleon. 


480 WURTTEMBERG. 


5 Line-engraving by F. Miller after the engraver’s own 
Y ft) drawing. Oval bust in rectangular border. Fine im- 
pression with the inscription. With margin showing 


the plate-mark. Folio. 
nae P 


WINTER (Jan Willem van). 


1761-1812. 
Dutch admiral. 


481 ADMIRAL DE WINTER. 


Mezzotint by C. H. Hodges after a painting by H. 

ee Maaskamp. Half length in oval. With rectangular 

‘ border. Very fine impression with the inscription. 
pre With large margin. Folio. 


WURMSER (Dagobert Sigismond, Comte de). 
1724-1797- 


' Austrian general. Fought against Napoleon, was defeated and 
capitulated in Mantua. 


482 WURMSER. 


Mezzotint by I. Young after a painting by Brand. 
| are. Half length. Superb open letters proof. With large 


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